Abstract
Monica Ali's phenomenally popular debut novel Brick Lane has often been accused of reinforcing rather than challenging stereotypes of cultural otherness. Interestingly, literary critics who have championed the novel have not sought to deny that it employs stereotypes, but rather to emphasize its sense of knowing irony in doing so. Critically analysing debates which have attempted to assert that Brick Lane either propagates or ironically subverts cultural stereotypes, this article scrutinizes the valency of the kinds of “postmodern” readings of the novel which have thus far prevailed. I argue that the major concern of the novel is not the destabilization of stereotypes but the celebration of the potential for adaptation in both individuals and societies. I argue that Ali employs stereotypes as counterpoints in order to further emphasize her protagonist's final integration into contemporary British society, and that the novel might usefully be understood as a “multicultural Bildungsroman”.