Abstract
Contemporary Indian fiction in English revives the novel genre through alternative writing techniques inspired from the Indian oral storytelling tradition. In Vikram Chandra's Red Earth and Pouring Rain digressive storytelling that reflects oral patterns merges with structural strategies derived from the logic of the Internet, hypertext and computer games. The author's creation of an online storytelling community that gives him email feedback on his writing mimics the tradition of oral storytelling in a way that responds to both Bakhtinian expectations of the novel form and the demands of hypertextual interactivity. The implied audience is drawn into the process of storytelling, so that the novel's polyphony emerges from the work of a whole community rather than of an individual author/narrator. Red Earth and Pouring Rain is a modern version of the Arabian Nights, with a frame-narrative filled in by well-told tales meant to earn the protagonist's survival. Throughout the novel the classical concerns of the novel genre, which focuses on individual development and makes statements about society at specific historical moments, based on objective factual observation, are challenged by the presence of elements of myth-based traditional storytelling, digressions and ponderings on the meanings of events, in a discourse in which what matters is the endless storytelling process that must keep growing “like a lotus vine”.