AbrahamsR. D. (1970). Deep down in the jungle: Negro narrative folklore from the streets of Philadelphia. Chicago: Aldine.
2.
ArozorenaM. (1971, October). Habrá que esperar. La Gaceta de Cuba, 97, p. 20.
3.
BarnetM. (1971, October). Oriki para Bola de Nieve. La Gaceta de Cuba, 97, p. 19.
4.
BarradasE. (1980). La Negritúfd hoy: Nota sobre la poesia deNancy Morejón. Areito, 1(24), 33–39.
5.
Bola de Nieve. (Speaker), (n.d.). Entrevista [Interview]. In Bola de Nieve: In Memorium, I (Recording LD 3978). Havana: Egrem (Areito).
6.
Bola de Nieve returns form his tour of nine western European nations. (1969, April 22). Granma.
7.
ConteA. (1972, June). Bola: de jame que cunte. Cuba Internacionale, pp. 62–67.
8.
DathorneO. R. (1981). Dark ancestor: The literature of the Black man in the Caribbean. Baton Rouge: Louisiana State University Press.
9.
de AlbornozA.Rodriguez LuisJ. (1980). Sensamayá: La poesía negra en al mundo hispanablante. Madrid: Ediciones Origenes.
10.
DiPernaP. (1979). The complete travel guide to Cuba. New York: St. Martin's Press.
11.
DomínguezJ. I. (1978). Cuba: Order and revolution. Cambridge, MA: Harvard University Press.
12.
FanonF. (1967). Black skin, White masks. New York: Grove.
13.
Fernández RetamarR. (1974). Caliban: Notes towards a discussion of culture in our America. The Massachusetts Review, 15(1/2), 7–72.
14.
Fernández RetamarR. (1986). Our America and the West. Social Text, 15(Fall), 1–25.
15.
FraginalsM. M. et al. (1985). Roundtable on the history of racial prejudice in Cuba. The Black Scholar, 16(1), 36–44.
16.
GatesH. L.Jr. (1984). The blackness of blackness: A critique of the sign and the signifying monkey. In GatesH. L.Jr. (Ed.), Black literature and literary theory (pp. 285–321). New York: Methuen.
17.
GillespieD.FraserA.). (1979). To be or not to bop: Memoirs of Dizzy Gillespie. New York: Da Capo.
18.
Gonzalez-WhippierM. (1973). Santería: African magic in Latin America. Garden City: Doubleday.
19.
GourseL. (1984). Louis' children: American jazz singers. New York: Quill.
20.
GuillénN. (1971, October). Palabras finales. La Gaceta de Cuba, pp. 18–19.
21.
GuillénN. (1975). Pregones. In AugierA. (Ed.), Prosa dePrisa 1929–1972 (Tomo 1, pp. 23–26). La Habana: Editorial Arte y Literatura. (Original work published 1960)
22.
GuillénN. (1976). Manana: Bola de Nieve. In AugierA. (Ed.), Prosa de Prisa 1929–1972 (Tomo 3, pp. 84–85). La Habana: Editorial Arte y Literatura. (Original work published 1962)
23.
Henriques UreñaM. (1963). Panorama histórico de la literatura cubana (1492–1952). New York: Las Americas.
24.
HentoffN. (1976). Jazz is. New York: Limelight.
25.
HerdeckD. E. et al. (1979). Villa, Ignacio. In Caribbean writers: A bio-bibliographical-critical encyclopedia (p. 899). Washington, DC: Three Continents Press.
26.
HoltG. S. (1972). Inversion in Black communication. In KochmanT. (Ed.), Rappin' and stylin' out: Communication in urban Black America (pp. 152–159). Urbana: University of Illinois Press.
27.
HuertaE. (1971, October). Recuerdo de Bola. La Gaceta de Cuba, p. 22.
28.
JacksonR. L. (1979). Black writers in Latin America. Albuquerque: University of New Mexico Press.
29.
JacobsG. (1988). Cuba's Bola de Nieve: Acreative looking glass forculture and the artistic self. Latin American Music Review, 9(1), 18–49.
30.
JahnJ. (1961). Muntu: An outline of the new African culture. New York: Grove.
31.
JamesonF. (1986). Third world literature in the era of multinational capitalism. Social Text, 15(Fall), 65–88.
32.
KeilT. (1966). Urban blues. Chicago: University of Chicago Press.
33.
KunzleD. (1975). Public graphics in Cuba: A very Cuban form of international art. Latin American Perspectives, 2(4), 89–110.
34.
LeeA. M. (1966). Multivalent man. New York: Braziller.
35.
Le RiverendJ. (1971, October). Bola de Nieve: Nuevo y permanente. La Gaceta de Cuba, p. 20.
36.
MarableM. (1984). Race and democracy in Cuba. The Black Scholar, 15(3), 22–37.
37.
MartiJ. (1977). Simon Bolivar. In MartiJ.Our America (FonerP. S., Ed.). New York: Monthly Review Press. (Original work published 1893)
38.
Martínez RodríguezR. (1986, November). Bola de Nieve. Revolución y Cultura, pp. 33–37.
39.
MullenE. J. (1977). Langston Hughes in the Hispanic world and Haiti. Hamden, CT: Archon.
40.
MurrayA. (1983). The Omní-Americans: Black experience and American culture. New York: Random House. (Original work published 1970)
41.
NelsonL. (1950). Rural Cuba. Minneapolis: University of Minnesota Press.
42.
OrovioH. (1981). Villa, Ignacio. In Diccionario de la música Cubana (pp. 429–430). La Habana: Editorial Letras Cubanas.
43.
OrtizF. (1947). Cuban counterpoint: Tobacco and sugar (de OnisHarriet, Trans.). New York: Alfred A. Knopf.
44.
RobertsJ. S. (1972). Black music of two worlds. New York: Morrow.
45.
RobertsJ. S. (1979) The Latin tinge: The impact of Latin American music on the United States. New York: Oxford University Press.
46.
RoutL. B.Jr. (1976). The African experience in Spanish America: 1502 to the present day. Cambridge: Cambridge University Press.
47.
SchechnerR. (1985). Between theater and anthropology. Philadelphia: University of Pennsylvania Press.
48.
SneadJ. A. (1984). Repetition as a figure of Black culture. In GatesJ. L. (Ed.), Black literature and literary theory (pp. 59–79). New York: Methuen.
49.
ThomasH. (1971). Cuba: The pursuit of freedom. New York: Harper & Row.
50.
ThompsonR. F. (1983). Flash of the spirit: African and Afro-American art and philosophy. New York: Random House.