Abstract
This study delves into the body of work by Dominican-born Spanish rapper Arianna Puello, examining her distinctive perspective as a Black immigrant woman and her exploration of identity, racism, and gender discrimination. Through an analysis of some of Puello’s notable tracks, including “Así es la negra” (That’s how the Black woman is), “Juana Kalamidad” (Juana Calamity), and “No puedo parar” (I can’t stop), our research explores how Puello’s music functions as a cultural and social commentary, exposing the systemic challenges faced by immigrant women in Spain, especially regarding the criminal justice system. Positioned within the broader context of Dominican migration to Spain, the analysis contends that Puello’s hip hop contributions transcend mere musical expression, emerging as a powerful medium for advocacy and social change. In emphasizing the need for a more nuanced understanding of the multifaceted challenges confronted by immigrants, especially immigrant women, within Spanish society, Puello’s music stands as a testament to the transformative potential of art in fostering social awareness and change.
Plain Language Summary
This study looks at the work of Arianna Puello, a Dominican-born rapper living in Spain. It focuses on her unique perspective as a Black immigrant woman and how her music addresses issues of identity, racism, and sexism. By examining some of her key songs, like “Asi es la negra” (“That’s how the Black woman is”), “Juana Kalamidad” (“Juana Calamity”), and “No puedo parar” (“I can’t stop”), the study shows how Puello uses hip hop to comment on social problems, especially the challenges immigrant women face in Spain, including in the criminal justice system. Her music goes beyond entertainment, acting as a form of advocacy and a call for social change. Overall, Puello’s work highlights the experiences of immigrant women and demonstrates how art can raise awareness and inspire action.
Get full access to this article
View all access options for this article.
