Abstract
This article explores Africana philosophy and praxis, more specifically the African creative ideal and production. It mines earlier discussions on ancient African creative production for themes, memes, and essential principles, categorizing them for usefulness to discuss Africana creative production. Its overarching purpose is to discuss an Afrocentric framework that calls attention to how the ancients imaged and imagined the cosmos using aspects of Nefetari’s house of eternity as a case example. Specifically, it uses
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