Abstract
Afrocentricity is the paradigm that underpins this study, which adapts the analytical construct “motif” from Welsh-Asante’s Nzrui aesthetic model. “Motif” highlights “cattle,” an image drawn from Batswana culture. Traditionally, the life of the Batswana is centered on cattle. Right up to the present, cattle feed the creative imagination in proverbs. This study traces the cattle motif in Sol. T. Plaatje’s three most important publications in English:
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