Abstract
The idea that Gregory of Nyssa’s work On Virginity was a piece of advocacy for Basil the Great’s ascetic programme has recently been challenged from various perspectives. Here I examine Gregory’s creation of a particular authorial voice through his manipulation of certain stock themes from classical literature on marriage; I show that De virginitate employs a range of reference hitherto unrecognized by scholars and is not just artful but poetic. By challenging boundaries between rhetoric, philosophy, and poetry, and the useful and beautiful in the arts (boundaries which modern readers impose on ancient texts), I suggest that Gregory explicitly defends both virginity and marriage; he also implicitly gives a theological defence of his use of artful rhetoric. On Virginity is thus as much about theological poetics as it is about marriage or celibacy.
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