Vibrato in the Violin Music of the Baroque Period

Donington, String Playing in Baroque Music, 68.

Ibid., 66.

Ibid., 67.

Stowell, Violin Technique and Performance Practice, 204.

Ibid., 211.

Donington, String Playing in Baroque Music, 68.

Donington, Performers Guide to Baroque Music, 87.

Donington, String Playing in Baroque Music, 67.

Ibid., 66.

Ibid, 67.

Gosling, The Violinists Manual, 210–212.

Druce, Companion to Musical Thought, 996.

Stowell, Violin Technique, 204–206.

Ibid., 211

Seashore, Studies in the Psychology of Music, 290.

Ibid., 291.

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• Donington Robert . String Playing in Baroque Music. New York: Scribner and Sons, 1977.

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• Gosling H. F. . The Violinist's Manual London: W. Reeves, 1935.

• Neumann Frederick . Ornamentation in Baroque and Post Baroque Music Princeton, NJ.: Princeton University Press, 1978.

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• Seashore Carl E. . “The Vibrato,” Volume 1 of Studies in the Psychology of Music Iowa City: University of Iowa, and New York: Dover Publications, 1967.

• Stowell Robin . Violin Technique and Performance Practice in the Late Eighteenth and Early Nineteenth Centuries. Cambridge: Cambridge University Press, 1985.

• Stowell Robin . Review of Das Vibrato in der Musik des Barock: Ein Handbuch zur Auffuhrungspraxis fur Vokalisten und Instrumentalisten, by Greta Moens-Haenen, Music & Letters 71 (May 1990): 241–242.