SmithCamille, and BrickJohn, “Effects of the Pitch Master on Beginning Violin Students’ Aural Pitch Discrimination and Performance Pitch Accuracy.”Dialogue in Instrumental Music Education, 14 (1990): 76–89.
2.
HatzeH., “Biomechanical Aspects of Successful Motion Optimization,”Biomechanics. Vol. B, ed. KomiPaavo V. (Baltimore: University Park Press, 1976), 7–17; K. M. Newell, “Motor Skill Acquisition,” Annual Review of Psychology 42(1991): 213–237; K. M. Newell and Peter M. McGinnis, “Kinematic Information Feedback for Skilled Performance.” Human Learning, 4 (Jan-March 1985): 39–56.
3.
JacobsonChristopher M., Playing in Tune: Kinesthetic Perception and Schema Formation in the Process of Learning Pitch Accuracy with Beginning Violinists. Master's Thesis, University of Wisconsin, Madison, 1993.
4.
SalzbergRita S., “The Effects of Visual Stimulus and Instruction on Intonation Accuracy of String Instrumentalists, Psychology of Music, 8 (no. 2, 1980): 42–49.