Singing and the Guitarist: Developing Melodic Musicianship

Scarlatti, vi.

Brumbaugh, 195.

Kirkpatrick, 49.

Magnussen, 17.

Kirkpatrick, 63.

Barra, 19.

One particularly effective notational phrasing system is described in Kirkpatrick's Interpreting Bach's Well-Tempered Clavier, 63.

Shearer, 34.

Bach J. S. . forty-Eight Preludes and Fugues. Edited by Tovey Donald Francis . London: The Associated Board of the Royal College of Music, 1924.

Barra Donald . The Dynamic Performance: A Performer's Guide to Musical Expression and Interpretation. Englewood Cliffs, N.J.: Prentice-Hall, 1983.

Brumbaugh Patricia . “Initiating the Use of Singing-Saying First, Then Singing.” In Teaching Techniques in Instrumental Music. Edited by Casey Joseph L. . Chicago: G.I.A. Publications, 1991.

Kirkpatrick Ralph , Interpreting Bach's Well-Tempered Clavier: A Performer's Discourse of Method. New Haven: Vale University Press, 1974.

Magnussen Paul . “An Interview with John Williams,” Guitar 12 (November 1983): 17.

Scarlatti Domenico . Sixty Sonatas. Vol. 1. Edited by Kirkpatrick Ralph . New York: G. Schirmer, 1953.

Shearer Aaron . Learning the Classic Guitar Part 3: Interpretation and Performance Development. Edited by Poore Tom . Pacific, Mo.: Mel Bay Publications, 1991.