Abstract

Get full access to this article
View all access options for this article.
References
1.
McGarvey
Robert
, “Rehearsing for Success,” USAir Magazine (August 1989 ): 56 –59 .
2.
Ryan
Lee F.
, The Natural Guitar (New York : Prentice-Hall , 1984 ), 176 .
3.
Brkard
Nancy
, and
Sherwyn
M. Woods
, “Memory Problems for Musical Performers,” College Music Symposium 18 (Fall 1978 ): 102 –104 .
4.
Brown
Stephen B.
, “Checklist for Memory,” Clavier 22 (March 1983 ): 34 –35 .
5.Bricard and Woods , 105 –106 .
6.Ibid. , 108 .
7.
Magrath
Jane
, “Nerves, Memory, and Pianos,” American Music Teacher 33 (September/October 1983 ): 16 .
8.
Provost
Richard
, The Art and Technique of Practice (San Francisco : Guitar Solo Publications , 1992 ), 29 .
9.Bid. , 20 .
10.Ibid. , 28 .
11.
Hazard
Daniel A.
, “The Learning Curve and Tri-Tempi Practicing,” Guitarra Magazine 10 , no. 59 (1984 ): 14 –15 .
12.
Magrath
, 14 .
13.
Green
Barry
, with,
Timothy Gallwey
W.
, The Inner Game of Music (Garden City, N.Y. : Anchor Press—Doubleday , 1986 ).
14.
Minninger
Joan
, Total Recall: How to Boost Your Memory Power (Emmaus, Penn. : Rodale Press , 1984 ), 43 –44 .
15.
Bozzi
Vincent
, and
Lowe
Geoff
, “The Subjects Came in for a Cold.” Psychology Today 21 (December 1987 ): 14 .
