For more information see the following works: de FerJambe, Epitome musical (Lyon, 1556); Mersenne, Harmonie Universelle (Hague: Martinus Nijhoff, trans. Roger E. Chapman, 1957); Praetorius, Syntagum Musicum, Part II (Wolfenbüttel: Tabella Universalia, 1619); Lodovico Zacconi, Practica di Musica (Venice, 1592).
4.
Boyden, 207.
5.
For a more detailed discussion of this topic see Chambers, “The Mistuned Cello,”1996.
6.
Boyden, 153.
7.
New Grove's, Vol. 17, p. 56.
8.
BachJohann Sebastian. Sechs Suiten für Violoncello Sob. ed. August Wenzinger. Kassel: Bärenreiter, 1950.
9.
BoydenDavid D.The History of Violin Playing from Its Origins to 1761 and Its Relationship to the Violin and Violin MusicLondon: Oxford University Press, 1965.
10.
ChambersMark. “The Mistuned Cello: Precursors to J. S. Bach's Suite V in C Minor for Unaccompanied Cello.” D.M. treatise, Florida State University, 1996.
11.
KinneyGordon James. “The Musical Literature for Unaccompanied Violoncello.” Ph.D. diss., Florida State University, 1962. 3 Vols.
12.
MersenneMarin. Harmonie Universelle., The Books on Instruments. (1635), Trans, by R. E. Chapman. Hague: Martinus Nijhoff, 1957.
13.
SadieStanleyThe New Grove Dictionary of Music and Musicians.London: Macmillan Publishers, 1984. S.v. “Scordatura” by David D. Boyden.
14.
ShapeyRalph. Krosnick Soli: for Sob Cello. Edited by KrosnickJoel. Bryn Mawr, Pa.: Theodore Presser, 1993.
15.
TarvinRonald Dean. “History of the Violin Scordatura.” D.M.A, thesis., North Texas State University, 1976.