See KoonceFrank, “Aspects of Baroque Performance, With Emphasis on the Lute Works of J. S. Bach, Part I, Ornamentation,”American String Teacher39:3 (Summer 1989): 40–3.
2.
See NeumannFrederick, Ornamentation in Baroque and Post-Baroque Music: With Special Emphasis on J. S. Bach (Princeton, N.J.: Princeton University Press, 1978): 3–6.
3.
See HiltonWendy, “A Dance for Kings: The Seventeenth-century French Courante,”Early Music5 (1977): 160.
4.
HiltonWendy. Dance of Court and Theatre: The French Noble Style 1690-1725. Princeton, N.J.: Princeton Book Co., 1981.
5.
LittleHelen M. E. “The Contribution of Dance Steps to Musical Analysis and Performance: La Bourgogne.” Journal of the American Musicological Society28 (1975): 112.
6.
NeumannFrederick. Ornamentation in Baroque and Post-Baroque Music: With Special Emphasis on J. S. Bach.Princeton, N.J.: Princeton University Press, 1978.
7.
NewmanAnthony. Bach and the Baroque: A Performer's View. New York: Pendragon Press, 1985.
8.
TroegerRichard. Technique and Interpretation on the Harpsichord and Clavichord. Bloomington, IN: Indiana University Press, 1987.