Intonation and Auer

Auer Leopold , Violin Playing as I Teach It, (New York, N.Y.: Harper and Row, Inc. for Frederick Stokes, 1921, p. 94).

Tartini Guiseppe , Trattato di musica secondo la vera scienza dell’ armonia, (Padua, 1754).

Campagnoli Bartolommeo , A New Method for the Violin, (London, no date, pp. 17 and 125).

Boyden David D. , “Prelleur, Geminiani and Just Intonation,” Journal of the American Musicological Society, Vol. IV, No. 3, (Fall 1951, p 212, footnote 19).

Scholes Percy , “Temperament, 10,” Oxford Companion to Music, 7th rev. ed., (London, New York, Toronto: Oxford University Press, 1947, pp. 927–928).

Hindemith Paul , The Craft of Musical Composition, Book I. (Mainz, 1937); trans. by Arthur Mendel (London, 1942, pp. 57–68). Throughout history, third tones were also called resultant tones, Tartini tones, differential tones, Just Intonation and pure intonation.