Developing a studio/group class toolbox of ideas for advanced string students: Best Practices of Master Teachers

Fischer Simon . 2011. Warming Up. London: Fitzroy Music Press.

Gebrian Molly . 2024a. “What Musicians Can Learn About Practicing from Current Brain Research: Part II (Random Practice).” YouTube video. https://youtu.be/FQRspEicnMQ?si=-ry7K7lLJQ5_KPfc.

Gebrian Molly . 2024b. “The Neuroscience of Performing from Memory Part 1.” YouTube video, 21:53. https://youtu.be/KbBSnhODZ0k?si=DG7B14q4hrb8SWM7.

Hindemith Paul . 1974. Elementary Training for Musicians. 2nd ed. New York: Associated Music Publishers.

Kievman Louis . 1974. Practicing the Violin Mentally–Physically. Brooklyn: Kelton Publishing.

Knecht Melissa . 2016. Developing Your Musical Mental Map: A Program to Build an Aural and Spatial Mental Map. Ann Arbor: Allegra. https://www.musicalmentalmap.com/.

Lewis Brian . 2003. “Empowered Violinists: Observations from the Studio of Dorothy DeLay.” American String Teacher Journal 53 (1): 72–77. doi:10.1177/000313130305300113.

Menuhin Yehudi . 1972. Violin: Six Lessons with Yehudi Menuhin. New York: Viking Press.

Palac Judy . 2013. “Warm-Up Exercise Compilation from Northwestern Medical Program for Performing Artists.” Lecture, MASTA Chamber Competition, Michigan State University, East Lansing, MI, March 8, 2013.

Rose Ellen . 1995. Viola Excerpts Plus: Orchestral Excerpts Arranged for One Violist and Viola. Dallas: ESOR Publications.

Rose Ellen . 2016. Extreme Viola: A 12-Week Guided Course in Sales, Arpeggios and Double-stops. Dallas: ESOR Publications.

Thompson-Robinow Gwen . 2017. The Embodied Violinist: Teaching Violin with Passion and Practicality. Victoria: Gwen Thompson-Robinow.

Yost Gaylord . 1928. The Yost System: Exercises for Change of Position. Pittsburgh: Volkwein Bros.