AlexanderM.2012. “20 Ways to Get Your String Orchestra to Play in Tune.”Southwestern Musician81 (2): 28–31.
2.
BarberB.1990. “Intonation: A Sensory Experience.”American String Teacher40:81–85.
3.
BergonziL.1997. “Effects of Finger Markers and Harmonic Context on Performance of Beginning String Students.”Journal of Research in Music Education45 (2): 197–211.
4.
DillonJ. A.KriechbaumC. B.1978. How to Design and Teach a Successful School String and Orchestra Program. San Diego: Kjos.
5.
GalamianI.1985. Principles of Violin Playing & Teaching. 2nd ed.Prentice-Hall.
6.
GerleR.1983. The Art of Practising the Violin: With Useful Hints for All String Players. London: Stainer & Bell.
7.
LageG. M.BoremF.VieiraM. N.BarreirosJ. P.2007. “Visual and Tactile Information in Double Bass Intonation Control.”Motor Control11 (2): 151–65.
8.
McGillD.2007. Sound in Motion: A Performer’s Guide to Greater Musical Expression. Bloomington: Indiana University Press.