BrownA.1997. “Musculoskeletal Misuse among Youth Symphony String Players.” Medical Problems of Performing Artists12 (1): 15–18.
2.
DawsonW.CharnessM.GoodeD.LedermanR.NewmarkJ.1998. “What’s in a Name? Terminological Issues in Performing Arts Medicine.” Medical Problems of Performing Artists13 (2): 45–50.
3.
GalamianI.1962. Principles of Violin Playing and Teaching. Englewood Cliffs: Prentice-Hall.
IstelE.1930. The secret of Paganini’s technique. Musical Quarterly16: 101–116.
6.
KeanS.2012. The Violinist’s Thumb: And Other Lost Tales of Love, War, and Genius as Written by Our Genetic Code. New York: Back Bay Books.
7.
LarssonL.BaumJ.MudholkarG. S.KolliaG.1993. “Benefits and Disadvantages of Joint Hypermobility among Musicians.” New England Journal of Medicine329 (15): 1079–1082.
8.
SataloffR.BrandfonbrenerA.LedermanR.1991. Textbook of Performing Artists Medicine. New York: Raven Press.
9.
StotkoL.1998. “Dynamically Splinting the Musical Hand.” Medical Problems of Performing Artists13 (3): 109–113.
10.
WilsonH. L.1995. “Paganini.” The Clarinet22 (4): 38–40.
11.
WinspurI.Parry.C.1998. The Musician’s Hand: A Clinical Guide. London: Martin Dunitz.