CarlFlesch, Urstudien, (New York, NY: Carl Fischer, 1911), 8; Flesch, The Art of Violin Playing: Book One, 58.
2.
BobPhillips, & KirkMoss, Sound Innovations for String Orchestra: Sound Development (Van Nuys, CA: Alfred, 2012); AndersonGerald E., & FrostRobert S., All for Strings: Comprehensive String Method (San Diego, CA: Neil A Kjos).
3.
BermanJoel, JacksonBarbara G., & SarchKenneth, The ASTA Dictionary of Bowing and Pizzicato Terms, 4th ed., (Fairfax, VA: American String Teachers Association, 1999). There is no mention of system of springs or a derivation of the term in this dictionary.
4.
FischerSimon, Basics: 300 Exercises and Practice Routines for the Violin (New York, NY: Peters Edition, 1997), 7; BarrettHenry, The Viola: Complete Guide for Teachers and Students, (Tuscaloosa, AL: University of Alabama Press, 1978), 72.
5.
HamannDonald L. & GillespieRobert, Strategies for Teaching Strings: Building a Succesful String and Orchestra Program, 2nd ed. (New York, NY: Oxford University Press, 2009), 79.
6.
Berman and others, The ASTA Dictionary of Bowing and Pizzicato Terms, 16; see also Galamian, Principles of Violin Playing & Teaching, 73.
7.
Galamian, Principles of Violin Playing & Teaching, 74.
8.
Ibid., 73; Fischer, Basics, 62.
9.
Ibid.; Gerle, The Art of Bowing Practice: The Expressive Bow Technique, 67.
10.
RollandPaul & MutschlerMaria, The Teaching of Action in String Playing: Developmental and Remedial Techniques [for] Violin and Viola (Urbana, IL: Illinois String Research Associates, 1974), 33.
11.
Straws are an excellent resource, because they bend when the students bow-hand shape becomes tense.
12.
Hamann and Gillespie, Strategies for Teaching Strings, 60; Rolland, The Teaching of Actum in String Playing, 85.
13.
Hamann and Gillespie, Strategies for Teaching Strings, 67.