StephenJ. Benham, MaryL. Wagner, JaneLinn Aten, et al., ASTA Curriculum: Standards, Goals, and Learning Sequences for Essential Skills and Knowledge in K-12 String Programs (USA: American String Teachers Association, 2011).
2.
Ibid.
3.
Ibid., 90.
4.
MichaelL. Allen, “A Pedagogical Model for Beginning String Class Instruction: Revisited,” in Teaching Music through Performance in Orchestra, edited by LittrellDavid (Chicago: GIA Publications, 2003), 3–13; KjellandJames, “String-O-Phobia: Some Causes and Cures,” American String Teacher37, no. 2 (Spring1987), 70–74.
5.
For further discussion, see FischerSimon, Basics: 300 Exercises and Practice Routines for the Violin. (New York: Peters Edition, 1997); HamannDonald L. and GillespieRobert A., Strategies for Teaching String Orchestra: Building a Successful String and Orchestra Program, 3rd ed. (New York: Oxford University Press, 2013); WatkinsCornelia, Rosindust: Teaching, Learning, and Life from a Cellist's Perspective (Houston, TX: Rosindust Publishing, 2008).
6.
Benham and others, ASTA Curriculum, 93.
7.
For more information, see Hamann and Gillespie, Strategies for Teaching String Orchestra.
8.
RollandPaul and MutschlerMarla, The Teaching of Action in String Playing (Reston, VA: The American String Teachers Association, 2000), 32.
9.
Ibid.
10.
Benham and others, ASTA Curriculum, 90; Hamann and Gillespie, Strategies for Teaching String Orchestra, 61.
11.
See also PhyllisYoung, Playing the String Game: Strategies for Teaching Cello and Strings (Ann Arbor, MI: Shar Publications, 2009), 22.
12.
Hamann and Gillespie, Strategies for Teaching String Orchestra, 61.
13.
Ibid., 61–62.
14.
Ibid., 60.
15.
Rolland and Mutschler, The Teaching of Action in String Playing, 85.
16.
Hamann and Gillespie, Strategies for Teaching String Orchestra, 60.