BillèIsaia. Diciòtto studi in tutti i toni per contrabasso d'orchèstra a quattro e cinque corde. Milan: Ricordi, 1921.
2.
BillèIsaia. Nuovo metodo per contrabasso a quattro e cinque corde. 7 vols. Milan: Ricordi, 1922. (LH-)
3.
BillèIsaia. Sèi studi caratteristici per contrabasso a quattro corde. Milan: Ricordi, 1927.
4.
BillèIsaia. Twelve Studies in Different Styles. Philadelphia: Elkan Vogel, 1948.
5.
BillèIsaia. Ventiquattro studi-capricci per contrabasso a quattro corde. Milan: Ricordi, 1921.
6.
BillèIsaia. Ventuno piccoli studi melodici in tutti i toni. Milan: Ricordi, 1927.
7.
BreuerPaul. Studien für Kontrabass: Progressiv nach Schwierigkeitsgrad methodisch geordnet. Cologne: Hans Gerig, 1975. (BT+)
8.
CaimmiItalo. La tecnica superiore del contrabbasso: Venti studi. Milan: Ricordi, 1924. (BT+)
9.
CruftEugene. The Eugene Cruft School of Double Bass Playing: A Method with a Repertoire. London: Oxford University Press, 1966. (LH)
10.
DotzauerJustusFriedrichJohann. One Hundred Thirteen Studies for Cello Solo. New York: International, 1948 (Braunschweig, 1890). (EL+)
11.
DrewLucas, ed. The Etude Book for Double Bassists. Boca Raton, FL: Master Music Publications, 1997. (LH)
12.
DrewLucas, ed. Seventy-seven Baroque Basslines: For Double Bass (Cello or Viola da Gamba). Coral Gables, FL: University of Miami Publication, 1974. (PE+)
13.
DrewLucas, ed. See Marcello.
14.
ErbDonald. Déjà Vu: Six Etudes for Contrabass. Bryn Mawr, PA: Merion, 1982. (BT+)
GreenBarry, with GallweyW. Timothy. The Inner Game of Music. Garden City, NYAnchor/Doubleday, 1986. (LH)
19.
HaydnJoseph, and PopperDavid. Concerto for Double Bass and Piano. Ed. LevinsonEugene. New York: Carl Fischer, 2005. Orig. for violoncello. (EL+)
20.
HoagCharles. 9 Studies for Double Bass. Bryn Mawr, PA: Presser, 1991 (New York, 1975). (DG+)
21.
HrabêJosef. Eighty-six Etudes for String Bass. New York: Carl Fischer, 1940; International, 1959 (Frankfurt am Main, n.d.). (DG+, BT)
22.
KayserHeinrich Ernst. Thirty-six Studies, Op. 20. New York: International [n.d.]. Orig. for violin. (DG+, LH+, EL+)
23.
KreutzerRodolphe. 18 Studies for String Bass. New York: International, 1950 (Heilbronn, n.d.). See also Nanny, ed. Orig. for violin. (DG+, LH+, EL+, GV)
LeeSebastian. 12 Studies., op. 31. New York: International, 1957. Orig. for violoncello. (DG+)
26.
LevinsonEugene. The School of Agility. New York: Carl Fischer, 2002. (EL+, GV)
27.
LevinsonEugene. The Art of Eugene Levinson, Vol. 1. Bleecker Street Records CFD14, 2005. (EL+)
28.
LevinsonEugene. The Art of Eugene Levinson, Vol. 2. Bleecker Street Records CFD15, 2005. (EL+)
29.
MarcelloBenedetto, attrib. Sèi Sonata a Violoncello Solo e Basso Continuo. 1732. Ed. ZimmermannFrederick as Sonata in F major., etc.
30.
New York: International, 19491965. 6 vols. Ed. DrewLucas and BaconAnalee as Six sonatas for cello or double bass and piano. New York: G. Schirmer, 1973. (BT+)
PetracchiFrancesco. Simplifi ed Higher Technique for Double Bass. London: Yorke, 1982. (LH+, BT+)
43.
PopperDavid. High school of cello playing., op. 73. New York: International, 1945 (Leipzig, 1901-5). (DG+)
44.
ProtoFrank. Twenty-one Modern Etudes: For the Double Bass. Cincinnati: Liben, 1984. (DG+)
45.
RabbathFrançois. Nouvelle technique de la contrebasse: Méthode complète et progressive. 3 vols. Paris: Alphonse Leduc, 1977, 1980, 1984. (DG+)
46.
RobinsonHarold. Strokin’: Sevcik School of Bowing Technique. Wyncote, Pa: Bass Is, 1996. Orig. for violin. Arrangment of Sevcík, Op. 2. (PE+)
47.
SaengerGustav. The Violinist's Daily Companion: One Hundred and Twenty-five Exercises, Studies and Extracts for the Violin. New York: Carl Fischer, 1909. (DG+)
48.
SevcíkOtakar. School of Bowing Technic., op. 2. London, 1901. See Robinson. (PE+, DG+)
49.
SimandlFranz. New Method for the Double [String] Bass. Heilbronn, 1870. Ed. SankeyStuart. New York: International, 1968. 2 vols. Ed. DrewLucas. New York: Carl Fischer, 1982. 2 vols. (PE-, DG+, LH+, GV-)
50.
SimandlFranz. Thirty Etudes for the String Bass. New York: Carl Fischer, 1940 (Heilbronn, n.d.).
51.
SimandlFranz. Thirty Studies for the Development of Tone. New York: International, 1956. (LH, BT)
52.
SimandlFranz. Gradus ad Parnassum: Twenty-four Studies for String Bass.2 vols. New York: International, 1957 (Leipzig, n.d.). (LH+)
VanceGeorge. Vade Mecum for the Double Bass. New York: Carl Fischer, 2000. GV+)
59.
VanceGeorge, and CostanziAnnette. Progressive Repertoire for the Bass. 3 vols. New York: Carl Fischer, 2000. (GV+)
60.
ZimmermanOscar. The Complete Double Bass Parts: Selected Works of Joh. Seb. Bach. Rochester, NYO.G. Zimmerman, 1974. Other volumes include …Mahler Symphonies. [1-5] (1976), …[Beethoven's] Nine Symphonies and Leonore no. 3 Overture. (1970), … Orchestral Works of Brahms. (1971), …Orchestral Works of Tschaikowsky. (1972), …Selected Romantic Symphonies. (1975), …Selected Symphonies of Mendelssohn, Schubert, and Schumann. (1973), …Selected Works of Mozart, Haydn, and Weber. (1970), …Strauss Tone Poems. (1972), …Thirty-six Overtures. (1971). (BT+, PE+)
61.
ZimmermannFrederick. A Contemporary Concept of Bowing Technique for the Double Bass. New York: MCA Music, 1966. (DG+, LH+, EL+, BT+)
