BerkoJean. “The Child's Learning of English Morphology.”Word14 (August/December 1958): 150–177.
13.
BornoffGeorge. Bornoff's Finger Patterns for Violin.Don Mills: Gordon V. Thompson, 1948. Available from: Foundation for the Advancement of String Education, Inc., P.O. Box 610215, Newton Highlands MA 02461. Tel. 617-244-9249.
14.
CastlemanHeidi, and KoobJoseph E.IIThe Tonal Application of Finger Patterns to Viola Scale Technique.Aberdeen: NEJS Publications, 1990. Available from: SHAR Products, P.O. Box 1411, 2465 South Industrial Highway, Ann Arbor MI 48106. Tel. 800-248- 7427. www.sharmusic.com
15.
GerleRobert. The Art of Practising the Violin.London: Stainer & Bell, 1983.
16.
HabeneckFrancois Antoine. Méthods théorique et pratique de violon, précédée des principes de musique et quelques notes en facsimile de l'écriture de Viotti. (Viotti, Giovanni Battista), c. 1840.
17.
HowellJohn Raymond, and HowellFlorence CurrieBornoff: Breakthrough for String Education.Newton Highlands, Mass.: Foundation for the Advancement of String Education, 1989.
18.
PrimroseWilliam. Technique Is Memory A Method for Violin and Viola Players Based on Finger Patterns.London: Oxford University Press, 1960.
19.
RobinsonF. N., Ed. The Works of Geoffrey Chaucer.Cambridge: The Riverside Press, 1957.
20.
SlowikPeter. “Pick-4: A New Way to Teach Fingerboard Geography.”American String Teacher40 (Fall 1990): 58–60.
21.
StowellRobin. Violin Technique and Performance Practice in the Late Eighteenth and Early Nineteenth Centuries.Cambridge: Cambridge University Press, 1985. Page 260 shows figures from “Viotti, quoted in Habenek, pp. 33-35.”