One path to cultural innovation in artistic and literary fields is differentiation of a genre into new subgenres. But what are the dynamics at work in such a process? This article addresses that question by identifying and explaining the emergence and trajectory of a new fiction subgenre—the American labor problem novel—during the late-nineteenth and early-twentieth centuries. I make a theoretical case for the intersection of social movement fields and cultural production fields showing, through a historical sociological analysis, that this subgenre was the joint product of: (1) a shift in literary aesthetic practice resulting from the rise of realism, (2) the subgenre's dialogical character, (3) collective contention surrounding the rise of labor movement militancy, and (4) the exigencies of literary and popular culture markets. The historical conjuncture of these processes contributed to a repository of cultural constructions of class in storied form, as novelists sought to both entertain and educate readers about the emerging realities of class-contentious industrial society. This study demonstrates the fruitfulness of merging sociology of culture theory and social movement outcome perspectives when analyzing cultural change.
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