The Autonomous Ego Functions in Creativity

Beres, D. (1960), The psychoanalytic psychology of imagination. This Journal, 8:252–269.

Blum, H. P. (1964), Color in dreams. Internat. J. Psycho-Anal., 45:519–529.

Bush, J. (1969), Psychoanalysis and scientific creativity. This Journal, 17:136–191.

Coltrera, J. (1965), On the creation of beauty and thought: the unique as vicissitude. This Journal, 13:634–703.

Freud, A. (1952), The mutual influences in the development of the ego and id: Introduction to the discussion. The Writings of Anna Freud, 4:230–245. New York: International Untversities. Press, 1968.

Freud, S. (1900), The interpretation of dreams. Standard Edition, 5. London: Hogarth Press, 1953.

Freud, S. (1905a), Three essays on theory of sexuality. Standard Edition, 7:125–222. London: Hogarth Press, 1953.

Freud, S. (1905b), Psychopathic characters on the stage. Standard Edition, 7:304–310. London: Hogarth Press, 1953.

Freud, S. (1907), Delusion and dream in Jensen's “Gradiva.” Standard Edition, 9:3–94. London: Hogarth Press, 1959.

Freud, S. (1908), Creative writers and day dreaming. Standard Edition, 9:142–153. London: Hogarth Press, 1959.

Freud, S. (1910), Leonardo Da Vinci and a memory of his childhood. Standard Edition, 11:59–137. London: Hogarth Press, 1957.

Freud, S. (1930), Address delivered in the Goethe House at Frankfort. Standard Edition, 21:208–212. London: Hogarth Press, 1961.

Freud, S. (1933), Preface to Marie Bonaparte's Life and Works of Edgar Allen Foe. Standard Edition, 22:254. London: Hogarth Press, 1964.

Freud, S. (1937), Analysis terminable and interminable. Standard Edition, 23:211–253. London: Hogarth Press, 1964.

Friedman, S. M. (1960), One aspect of the structure of music. A study of regressive transformations of musical themes. This Journal, 8:427–449.

Gedo, J. E. (1970), Thoughts on art in the age of Freud. This Journal, 18:219–246.

Greenacre, P. (1957), The childhood of the artist. In: Emotional Growth. New York: International Universities Press, 1971, pp. 479–504.

Greenacre, P. (1958), The family romance of the artist. In: Emotional Growtli. New York: International Universities Press, 1971, pp. 505–532.

Greenacre, P. (1964), A study on the nature of inspiration. In: Emotional Growth. New York: International Universities Press, 1971, pp. 225–248.

Hartmann, H. (1939), Ego Psycltology and the Problem of Adaptation. New York: International Universities Press, 1958.

Hartmann, H. (1952), The mutual influence in the development of the ego and id. In: Essays on Ego Psychology. New York: International Universities Press, 1964, pp. 155–181.

Hartmann, H. (1955), Notes on the theory of sublimation. In: Essays on Ego Psychology. New York: International Universities Press, 1969, pp. 215–241.

Kanzer, M. (1957a), Acting out, sublimation, and reality testing. This Journal, 5:663–684.

Kanzer, M. (1957b), Contemporary psychoanalytic views of aesthetics. This Journal, 5:514–524.

Kanzer, M. , & Eidelberg, L. (1960), Discussion of “The Metapsychology of Pleasure.” Internat. J. Psycho-Anal., 41:368–371.

Kligerman, C. , reporter (1972), Panel on “Creativity.” Internat. J. Psycho-Anal., 53:21–30.

Kris, E. (1952), Psyclioanalytic Explorations in Art. New York: International Universities Press.

Kris, E. (1955), Neutralization and sublimation. Observations on young children. The Psychoanalytic Study of tlie Child, 10:30–46. New York: International Universities Press.

Rose, G. J. (1964), Creative Imagination in terms of ego “core” and boundaries. Internat. J. Psycho-Anal., 45:75–84.

Rosen, V. (1960), Some aspects of the role of imagination in the analytic process. This Journal, 8:229–251.

Rosen, V. (1964), Some effects of artistic talent on character style. Psychoanal. Quart., 33:1–24.

Sandler, J. , & Joffe, W. G. (1966), On skill and sublimation. This Journal, 14:335–355.

Sharpe, E. (1937), Dream Analysis. New York: Norton, 1949.

Slonimsky, N. (1966), Perfect pitch. Medical Opinion and Review, 1(6).

Stravinsky, I. (1966), Variations in memory of Aldous Huxley. N.Y. State Theater Mag., 1.

Waelder, R. (1948), Psyclioanalytic Avenues to Art. New York: International Universities Press, 1965.

Watt, H. A. , & Munn, J. B. (1925), Ideas and Forms in English and American Literature. New York: Scott, Foresman, pp. 989–996.

Williams, W. C. (1948), Autobiography of William Carlos Williams. New York: Random House.

Yazmajian, R. V. (1964), Color in dreams. Psychoanal. Quart., 33:176–193.