Body Ego and Creative Imagination

1. Bender, L. Child Psychiatric Techniques. Springfield, III.: Thomas, 1952. p. 41.

2. Bychowski, G. From catharsis to work of art: The making of an artist. In: Psychoanalysis and Culture, ed. G. B. Wilbur & W. Muensterberger . New York: International Universities Press, 1951, pp. 390–409.

3. Bychowski, G. Metapsychology of artistic creation. Psychoanal. Quart., 20:592–602, 1951.

4. Canaday, J. Form of space. New York Times Magazine, p. 99, March 18, 1962.

5. Cary, J. Art and Reality: Ways of the Creative Process. New York: Doubleday, 1961.

6. Cleveland, S. & Fisher, S. A comparison of psychological characteristics and physiological reactivity in ulcer and Theumatoid arthritis groups. Psychosom. Med., 22:283–293, 1960.

7. Darwin, C. The Expressions of the Emotions in Man and in Animals. London: Murray, 1873.

8. Deutsch, F. Analytic posturology. Psychoanal. Quart., 21:196–214, 1952.

9. Einstein, A. Letter to Jacques Hadamard. In: The Creative Process, ed. B. Ghiselin . New York: New American Library, 1955, pp. 43–44.

10. Ferenczi, S. Stages in the development of the sense of reality (1913). In: Sex in Psychoanalysis. New York: Robert Brunner, 1950, pp. 213–239.

11. Flescher, J. On neurotic disorders of sensibility and body scheme. Int. J. Psychoanal, 29:156–162, 1948.

12. Fliess, R. The metapsychology of the analyst. Psychoanal. Quart., 11:211–227, 1942.

13. Fliess, R. Ego and Body Ego. New York: Schulte, 1961.

14. Freud, S. The ego and the id (1923). Standard Edition, 19:26. London: Hogarth Press, 1961.

15. Freud, S. Negation (1925). Collected Papers, 5:181–185. London: Hogarth Press, 1950.

16. Gilson, E. Painting and Reality. New York: Meridian Books, 1959, p. 52 ff.

17. Greenacre, P. Swift and Carroll. New York: International Universities Press, 1955.

18. Greenacre, P. The childhood of the artist. The Psychoanalytic Study of the Child, 12:47–72. New York: International Universities Press, 1957.

19. Greenacre, P. The family romance of the artist. The Psychoanalytic Study of the Child, 13:9–36. New York: International Universities Press, 1958.

20. Greenacre, P. The relation of the impostor to the artist. The Psychoanalytic Study of the Child, 13:521–540. New York: International Universities Press, 1958.

21. Greenacre, P. Play in relation to creative imagination. The Psychoanalytic Study of the Child, 14:61–80. New York: International Universities Press, 1959.

22. Haggard, E. A. Experimental studies in affective processes. J. Exp. Psychol., 33:257–284, 1943.

23. Haggard, E. A. & Rose, G. J. Some effects of mental set and active participation in the conditioning of the autokinetic phenomenon. J. Exp. Psychol., 34:45–59 1944.

24. Hoffer, W. Mouth, Hand and Ego-Integration. The Psychoanalytic Study of the Child, 3/4:49–50. New YOTIC: International Universities Press, 1949.

25. Hoffer, W. Development of the body ego. The Psychoanalytic Study of the Child, 5:18–23. New York: International Universities Press, 1950.

26. Hoffer, W. Oral aggressiveness and ego development. Int. J. Psychoanal., 31:156–160, 1950.

27. Keiser, S. The body ego during orgasm. Psychoanal. Quart., 21:153–166, 1952.

28. Klein, M. On identification. New Directions in Psychoanalysis. New York: Basic Books, 1955, pp. 309–345.

29. Kris, E. Psychoanalytic Explorations in Art. New York: International Universities Press, 1952.

30. Kubie, L. The distortion of the symbolic process in neurosis and psychosis. This Journal, 1:59–86, 1953.

31. Linn, L. Some developmental aspects of the body image. Int. J. Psychoanal., 36:36–42, 1955.

32. Lowenfeld, H. Psychic trauma and productive experience in the artist. Psychoanal. Quart., 10:116–130, 1941.

33. MacKinnon, D. W. What makes a person creative? Saturday Review, p. 15ff. Feb. 10. 1962.

34. Pauling, L. The genesis of ideas. In: Proceedings of the Third World Congress of Psychiatry, 1:44–47. Montreal: University of Toronto Press, 1961.

35. Peto, A. Body image and archaic thinking. Int. J. Psychoanal., 40:223–231, 1959.

36. Rado, S. The course of natural science in the light of psychoanalysis (1922). Psychoanal. Quart., 1:683–700, 1932.

37. Rosen, V. H. Some aspects of the role of imagination in the analytic process. This Journal, 8:229–251, 1960.

38. Schachtel, E. G. Projection and its relation to character attitudes and creativity in the kinesthetic responses. Psychiatry, 13:69–100, 1950.

39. Sharpe, E. F. Similar and divergent unconscious determinants underlying the sublimations of pure art and pure science. Int. J. Psychoanal., 16:186–202, 1935.

40. Sharpe, E. F. Psycho-physical problems revealed in language: an examination of metaphor (1940). Collected Papers on Psycho-Analysis. London: Hogarth Press, 1950, pp. 155–169.

41. Schilder, P. The body image in dreams. Psychoanal. Rev., 29:113–126, 1942.

42. Schilder, P., quoted by L. Bender (1), pp. 105, 303, 307.

43. Segal, H. A psycho-analytical approach to aesthetics. In: New Directions in Psychoanalysis. New York: Basic Books, 1955, pp. 384–405.

44. Spitz, R. A. Aro and Yes. New York: International Universities Press, 1957.

45. Waelder, R. Schizophrenic and creative thinking. Int. J. Psychoanal., 7:366–376, 1926.

46. Wolff, W. , quoted by G. W. Allport , Personality. New York: Henry Holt, 1937, p. 487.