This introductory essay, the three papers that follow—by Jonathan Palmer, Forrest Hamer, and Peter Goldberg—and the commentary by Susan Yamaguchi are products of the panel “Analytic Listening and the Five Senses,” presented at the American Psychoanalytic Association meeting in San Francisco, June 11, 2011.
Get full access to this article
View all access options for this article.
References
1.
BalintE. (1993). Before I was I: Psychoanalysis and the Imagination. London: Free Association Books.
2.
BalsamR. (2012). Women’s Bodies in Psychoanalysis. London: Routledge.
3.
BaudryF. (1991). The relevance of the analyst’s character and attitudes to his work. Journal of the American Psychoanalytic Association29: 917–938.
4.
BonaminioV. (2008). The person of the analyst: Interpreting, not interpreting, and countertransference. Psychoanalytic Quarterly77:1105–1146.
5.
Chasseguet-SmirgelJ. (2005). The Body as Mirror of the World. London: Free Association Books.
6.
ChodorowN.J. (2003). The psychoanalytic vision of Hans Loewald. International Journal of Psychoanalysis84:897–913.
7.
ColtartN. (1992). Slouching towards Bethlehem. New York: Guilford Press.
8.
DimenM. (2003). Sexuality, Intimacy, Power. New York: Routledge.
9.
FederS. (2004). Gustav Mahler: A Life in Crisis. New Haven: Yale University Press.
10.
FreudS. (1886). Letter to Martha Bernays, January 17. In Selected Letters of Sigmund Freud, ed. FreudE.L.New York: Basic Books, 1960, pp.191–192.
11.
FreudS. (1908). Creative writers and day-dreaming. Standard Edition9:143–153.
12.
FreudS. (1914). The Moses of Michelangelo. Standard Edition13:211–236.
13.
GoldbergP. (1995). “Successful” dissociation, pseudovitality, and inauthentic use of the senses. Psychoanalytic Dialogues5:493–510.
14.
GoldbergP. (2004). Fabricated bodies: A model for the somatic false self. International Journal of Psychoanalysis85:823–840.
15.
HamerF.M. (2002). Guards at the gate: Race, resistance, and psychic reality. Journal of the American Psychoanalytic Association50:1219–1237.
16.
HamerF.M. (2006). Racism as a transference state: Episodes of racial hostility in the psychoanalytic context. Psychoanalytic Quarterly75:197–214.
17.
HamerF.M. (2008). Listening with both ears. International Journal of Applied Psychoanalytic Studies5:86–88.
18.
JacobsT.J. (1991). The Use of the Self. Madison, CT: International Universities Press.
19.
JacobsT.J. (1997). In search of the mind of the analyst: A progress report. Journal of the American Psychoanalytic Association45:1035–1059.
20.
JonesA.A. (1997). Experiencing language: Some thoughts on poetry and psychoanalysis. Psychoanalytic Quarterly66:683–700.
21.
KantrowitzJ.L. (1993). The uniqueness of the patient-analyst pair: Approaches for elucidation. International Journal of Psychoanalysis74:873–904.
22.
KiteJ.V. (2008). Ideas of influence: The impact of the analyst’s character on the analysis. Psychoanalytic Quarterly77:1075–1104.
23.
LoewaldH.W. (1975). Psychoanalysis as an art and the fantasy character of the psychoanalytic situation. In Papers on Psychoanalysis. New Haven: Yale University Press, 1980, pp. 352–371.
24.
LoewaldH.W. (1978). Primary process, secondary process, and language. In Papers on Psychoanalysis. New Haven: Yale University Press, 1980, pp. 178–206.
25.
MazurG. (2011). Figures in a landscape. In Figures in a Landscape. Chicago: University of Chicago Press, pp. 25–27.
26.
McDougallJ. (1989). Theaters of the Body: A Psychoanalytic Approach to Psychosomatic Illness. New York: Norton.
27.
McLaughlinJ.T. (1993). Work with patients: The impulse for self-analysis. Psychoanalytic Inquiry13:365–389.
28.
McLaughlinJ.T. (2005). The Healer’s Bent: Solitude and Dialogue in the Clinical Encounter. Hillsdale, NJ: Analytic Press.
29.
MilnerM. (1950). On Not Being Able to Paint. New York: International Universities Press.
30.
NagelJ.J. (2010). Melodies in the mind: The polyphony of mental life. Journal of the American Psychoanalytic Association58:649–662.
31.
OgdenT.H. (1999). ‘The music of what happens’ in poetry and psychoanalysis. International Journal of Psychoanalysis80:979–994.
32.
PalmerJ. (2008). Forging an analytic identity through clinical writing. Psychoanalytic Inquiry28:477–492.
33.
ParsonsM. (2001). Marion Milner 1900–1998. International Journal of Psychoanalysis82:609–611.
34.
ParsonsM. (2007). Raiding the inarticulate: The internal analytic setting and listening beyond countertransference. International Journal of Psychoanalysis88:1441–1456.
35.
PinskyE. (2002). Mortal gifts: A two-part essay on the therapist’s mortality: Part 1. Untimely loss. Journal of the American Academy of Psychoanalysis & Psychodynamic Psychiatry30:173–204.
36.
PinskyE. (2012). Physic himself must fade: A view of the therapeutic offering through the lens of mortality. American Imago.
37.
RoseG. (2004). Between Couch and Piano: Psychoanalysis, Music, Art and Neuroscience. New York: Brunner-Routledge.
38.
SchachtelE. (1947). On memory and childhood amnesia. In Metamorphosis: On the Development of Affect, Perception, Attention, and Memory. New York: Basic Books, 1959, pp. 279–322.
39.
SeidenH.M. (2004). On the “music of thought”: The use of metaphor in poetry and in psychoanalysis. Psychoanalytic Psychology21:638–644.
40.
SterbaR.F. (1965). Psychoanalysis and music. American Imago22:96–111.
41.
SternD.N. (1985). The Interpersonal World of the Infant: A View from Psychoanalysis and Developmental Psychology. New York: Basic Books.
