Review in Retrospect

Arieti, S. (1976). Creativity: The Magic Synthesis New York: Basic Books.

Bellak, L. , & Meyers, B. (1975). Ego function assessment and analyzability. International Review of Psychoanalysis 2:413—427.

Blum, H. (1994). The conceptual development of regression. Psychoanalytic Study of the Child 49:60—76.

Coltrera, J. (1965). On the creation of beauty and thought: The unique as vicissitude. Journal of the American Psychoanalytic Association 13:634—703.

Ehrenzweig, A. (1967). The Hidden Order of Art: A Study in the Psychology of Artistic Imagination. Berkeley: University of California Press.

Galler, F.B. (1981). The two faces of regression: A conceptual review . Psychoanalytic Inquiry 1:133—154.

Gedo, J. (1996). The Artist and the Emotional World. New York: Columbia University Press.

Gombrich, E. (1984). The study of art and the study of man: Reminiscences of collaboration with Ernst Kris (1900—1957). In Tributes: Interpreters of our Cultural Tradition. Ithaca: Cornell University Press.

Greenacre, P. (1957). The childhood of the artist. Psychoanalytic Study of the Child 12:47—72.

Kernberg, O. (1974). Further contributions to the treatment of narcissistic personalities. International Journal of Psychoanalysis 55:215—240.

Klein, G. (1976). Psychoanalytic Theory. New York: International Universities Press.

Kris, E. (1956). The personal myth: A problem in psychoanalytic technique. Journal of the American Psychoanalytic Association 4:653—681.

——— & Kurz, O. (1934). Myth and Magic in the Image of the Artist: A Historical Experiment. New Haven: Yale University Press, 1979.

Loewald, H. (1960). On the therapeutic action of psycho-analysis. International Journal of Psychoanalysis 41:16—33.

Mclaughlin, J. (1978). Primary and secondary process in the context of cerebral hemispheric specialization. Psychoanalytic Quarterly 47:237—266.

Noy, P. ( 1969). A revision of the psychoanalytic theory of the primary process. International Journal of Psychoanalysis 50:155—178.

——— (1972). About art and artistic talent. International Journal of Psychoanalysis 53:243—249.

——— (1978). Insight and creativity. Journal of the American Psychoanalytic Association 26:717—748.

Oremland, J. (1997). The Origins and Psychodynamics of Creativity. Madison CT: International Universities Press.

Pfarr, U. (2002). Ernst Kris on F.X. Messerschmidt: A valuable stimulus for new research? American Imago. 58:448—461.

Rapaport, D. (1954). Psychoanalytic explorations in art. International Journal of Psychoanalysis 35:362—364.

Rose, G. (1980). The Power of Form. New York : International Universities Press.

Rothenberg, A. (1991). The Janusian process in psychoanalytic treatment . Contemporary Psychoanalysis 27:422—453.

Sandler, J. , & Sandler, A. -M. (1994). Theoretical and technical comments on regression and antiregression. International Journal of Psycho-analysis 75:431—439.

Winnicott, D.W. (1971). Playing and Reality. New York : Basic Books.

Winner, E. ( 1982).InventedWorlds: The Psychology of the Arts. Cambridge: Harvard University Press.

Wittkower, R. , & Wittkower, M. (1963). Born under Saturn: The Character and Conduct of Artists. New York: Norton.