Cinema and Revolution in China

Catalogue of Mainland Chinese Magazines and Newspapers Held by Union Research Institute (1968) Kowloon, Hong Kong: Union Research Institute.

Chang, K.-N. (1965) An Example of Modern Revisionism in Art: A Critique of the Films and Statements of Grigori Chukhrai Peking : Foreign Languages Press.

Chao, P.-S. (1959) "Kuan-yü chung-yang ko-ming ken-chu-ti hua-hsi kung-tso te hui-i" (Reminiscences concerning dramatic work in the central revolutionary base area), pp. 577-590 in Volume 1, Chung-kuo hsien-tai wen-hsueh shih ts'an-k'ao tzu-liao (Reference Material on China's Modern Literary History Peking: Kao-teng Chiao-yu ch'u-pan-she .

Ch'eng, C.-H. (1963) Chung-kuo tien-ying fa-chan shih (A History of the Development of Chinese Cmema Peking: Chung-kuo tien-ying ch'u-pan-she.

Chiang, C. (1968) On the Revolution in Peking Opera Peking: Foreign Languages Press.

Chin, F. (1973) "Confessions of a number one son." Ramparts (March): 41-48.

China Quarterly (1966) October-December.

Ch'u C.-P. (1954) Ch'ü Ch'iu-pai wen-chi (Collected Literary Works of Ch' Ch'iu-pai Peking: Jen-min wen-hsueh ch'u-pan-she.

Committee of Concerned Asian Scholars (1972 ) China! Inside the People's Republic New York: Bantam Books.

Culture and Education in New China (1950) Peking: Foreign Languages Press.

Englehardt, T. (1971) "Ambush at Kamikaze Pass." Bull. of Concerned Asian Scholars 3 (Winter-Spring): 64-84.

Forman, H. (1945) Report from Red China New York : Henry Holt.

A Great Revolution on the Cultural Front (1965) Peking: Foreign Languages Press.

Hsia, Y. (1957) "History of film-making in China and party leadership." Survey of China Mainland Press 1695 : 28-29.

Lenin, V.I. (1970) On Literature and Art Moscow : Progress.

Leyda, J. (1972) Dianying: Electric Shadows: An Account of Films and the Film Audience in China Cambridge: MIT Press.

Li, P.C. (1950) "Hui-i Ch'ü Ch'iu-pai t'ung-chih" (Memories of Comrade Ch'ii Ch'iu-pai Jen-min Jih-pao (June 18).

Liu, A.P.L. (1971) Communications and National Integration in Communist China Berkeley: Univ. of California Press.

Marx, K. and F. Engels (1947) Literature and Art: Selections from Their Writings New York: International.

Meisner, M. (1967) Li Ta-chao and the Origins of Chinese Marxism Cambridge, Mass.: Harvard Univ. Press .

Peking Review (1965) February 26.

Pickowicz, P. (1971) "The modern revolutionary opera 'Taking Tiger Mountain by Strategy': an American's view." Eastern Horizon 10, 4: 31-34.

Rue, J. ( 1969) Mao Tse-tung in Opposition Stanford : Stanford Univ. Press.

Scott, A.C. (1965) Literature and the Arts in Twentieth Century China London: George Allen & Unwin .

Selden, M. (1971) The Yenan Way in Revolutionary China Cambridge, Mass.: Harvard Univ. Press.

Summary of the Forum on the Work in Literature and Art in the Armed Forces (1968) Peking: Foreign Languages Press.

Survey of China Mainland Press (n.d.) Numbers 727, 905, 959, 1695, 2342, 2464, 2993.

Tao, T.-W. (1971) "Expose the plot of U.S. and Japanese reactionaries to resurrect the dead past," pp. 44-60 in Down with Revived Japanese Militarism Peking: Foreign Languages Press .

Wales, N. (1942) Red Dust: Autobiographies of Chinese Communists Stanford Stanford Univ. Press .

Worsley, P. (1964) The Third World London: Weidenfeld & Nicolson.