This article investigates the Lewis Carroll Society of Great Britain, suggesting parallels between popular media fandom and the “high cultural” literary society: the need for community, the obsession with close reading, the pleasures of pilgrimage, and the importance of defending the chosen text from criticism. However, the Lewis Carroll Society diverges from popular fandom in its comparatively greater cultural power, its potential to guide meanings in broader social discourse, and its blurring of the lines between amateur and academic publishing. Through these points of sameness and difference, it offers new insight into practices common to both popular and high cultural fandom.
Allen, R. (2002, October). Day trip to Oxford. Bandersnatch, (117), 5.
2.
Amor, A. C. (1981). The real Alice: Lewis Carroll’s dream child. London: Joseph.
3.
Bacon-Smith, C. (1992). Enterprising women. Philadelphia: University of Pennsylvania Press.
4.
Barker, M., & Brooks, K. (1998). Knowing audiences: Judge Dredd. Its friends, fans and foes. Luton, UK: University of Luton Press.
5.
Bignell, J. (2000). A taste of the gothic: Film and television versions of Dracula. In R. Giddings & E. Sheen (Eds.), The classic novel from page to screen (pp. 114-130). Manchester, UK: Manchester University Press.
6.
British Lewis Carroll Society. (n.d.). Members by country. Retrieved August 2004, from http://lewiscarrollsociety.org.uk/pages/lcs/details/members.html
7.
Brooker, W. (1999). Internet fandom and the continuing narratives of Blade Runner, Alien and Star Wars. In A. Kuhn (Ed.), Alien zone 2 (pp. 50-72). London: Verso.
8.
Brooker, W. (2000). Batman unmasked. London: Continuum.
9.
Brooker, W. (2002). Using the force. London: Continuum.
10.
Brooker, W. (2004). Alice’s adventures: Lewis Carroll in popular culture. London: Continuum.
11.
Cavicchi, D. (1998). Tramps like us: Music and meaning among Springsteen fans. Oxford, UK: Oxford University Press.
12.
Chapman, S. (2002, July). Quotable Alice. Lewis Carroll Review, (23), 6.
13.
Clerc, S. J. (1996). DDEB, GATB, MPPB and Ratboy: The X-Files’ media fandom, online and off. In D. Lavery, A. Hague, & M. Cartwright (Eds.), Deny all knowledge: Reading the X-Files (pp. 36-51). London: Faber and Faber.
14.
Cohen, M. N. (1995). Lewis Carroll: A biography. London: Macmillan.
15.
Collingwood, S. D. (1899). The life and letters of Lewis Carroll. London: T. Fisher Unwin.
16.
Goldschmidt, A. M. E. (1971). Alice in Wonderland psycho-analysed. In R. Phillips (Ed.), Aspects of Alice: Lewis Carroll’s dreamchild as seen through the critics’ looking-glasses (pp. 279-282). New York: Vintage.
17.
Harrington, C. L., & Bielby, D. D. (1995). Soap fans: Pursuing pleasure and making meaning in everyday life. Philadelphia: Temple University Press.
18.
Hills, M. (2002). Fan cultures. London: Routledge.
19.
Jenkins, H. (1991). Star Trek rerun, reread, rewritten: Fan writing as textual poaching. In C. Penley, E. Lyon, L. Spigel, & J. Bergstrom (Eds.), Close encounters: Film, feminism and science fiction (pp. 171-204). Minneapolis: University of Minnesota Press.
20.
Jenkins, H. (1994). Do you enjoy making the rest of us feel stupid? alt. tv. twinpeaks, the trickster author and viewer mastery. In D. Lavery (Ed.), Full of secrets: Critical approaches to Twin Peaks (pp. 51-69). Detroit, MI: Wayne State University Press.
21.
Leach, L. (1999). In the shadow of the dreamchild: A new understanding of Lewis Carroll. London: Peter Owen.
22.
“The Looking-Glass ball.” (2002, January). Bandersnatch, (114), 8.
23.
Nicholls, S. (2002, Autumn). Further glimpses Through the Looking-Glass. The Carrollian, (10), 3-9.
24.
O’Connor, M. (2002, October). To talk of many things. Bandersnatch, (116), 7.
25.
Radway, J. (1991). Reading the romance. Chapel Hill: University of North Carolina Press.
26.
Rice, J., & Saunders, C. (1996). Consuming Middlemarch: The construction and consumption of nostalgia in Stamford. In D. Cartmell, I. Q. Hunter, H. Kaye, & I. Whelehan (Eds.), Pulping fictions (pp. 85-98). London: Pluto.
27.
Taylor, R., & Wakeling, E. (2002). Lewis Carroll: Photographer. Princeton, NJ: Princeton University Press.
28.
Thomas, B. (2000). “Piecing together a mirage”: Adapting The English Patient for the screen. In R. Giddings& E. Sheen (Eds.), The classic novel from page to screen. Manchester, UK: Manchester University Press.
