The relationship between Black youth and hip-hop culture is the focus of this article. The author considers how African American youth use hip-hop as a form of cultural capital in everyday settings. By focusing on how Black youth interact with one another at the City Youth Center, the article examines how this particular form of cultural capital may be used to authenticate a Black identity. Finally, how the articulation of this identity is based on traditional gender roles is explored. Bourdieu's theory of cultural capital is heavily relied on to investigate how Black youth construct legitimate racial boundaries in predominately Black settings. The intention is to provide an extension of Bourdieu's theory by examining how Black youth identity is formed and renegotiated in everyday interactions with other Black youth and how this negotiation is mediated through hip-hop culture.
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