Adorno, Theodor W.1985. On the fetish character in music and the regression of listening. In The essential Frankfurt reader, ed. A. Arato and Eike Gebhardt, 270-2299. New York: Continuum Books.
2.
Adorno, T. W., and Max Horkheimer. 1976. Dialectic of enlightenment. New York: Continuum Books.
3.
Anand, N., and Richard Peterson. 2000. When market information constitutes fields: Sensemaking of markets in the commercial music industry. Organization Science11 (3): 270-284.
4.
Aufderheide, Patricia. 1999. Communications policy and the public interest: The case of the 1996 telecommunications act. New York: Guilford.
5.
Bagdikian, Ben. 2004. The media monopoly. 7th ed.Boston: Beacon.
6.
Baker, C. Edwin. 2002. Media, markets, and democracy. New York: Cambridge University Press.
7.
Becker, Howard. 1982. Art worlds. Berkeley: University of California Press.
8.
Benjamin, Walter. 1968. The work of art in the age of mechanical reproduction. In Illuminations: Essays and reflections, ed. Hannah Arendt, 217-251. New York: Schocken Books.
9.
Boczkowski, Pablo. 2004. Digitizing the news: Innovationin onlinenewspapers. Cambridge, MA: MIT Press.
10.
Bourdieu, Pierre. 1993. The field of cultural production. New York: Columbia University Press.
11.
Bourdieu, Pierre. 1996. Rules of art: Structure and genesis of the literary field. Stanford, CA: Stanford University Press.
12.
Castells, Manuel. 1996. The rise of the network society. Oxford, UK: Blackwell.
13.
Castells, Manuel. 1997. The power of identity. Oxford, UK: Blackwell.
14.
Castells, Manuel. 1998. The end of millennium. Oxford, UK: Blackwell.
15.
Castells, Manuel. 2001. The Internet galaxy: Reflections on the Internet, business, and society. Oxford: Oxford University Press.
16.
Castells, Manuel, and Peter Hall. 1994. Technopoles of the world: The making of twenty-first century industrial complexes. London: Routledge.
17.
Crane, Diane. 1997. Globalization, organizational size and innovation in the French luxury fashion industry: Production of culture theory revisited. Poetics24 (3): 393-414.
18.
Ewen, Stuart. 1988. All consuming images. New York: Basic Books.
19.
Fine, Gary Alan. 1992. The culture of production: Aesthetic choices and constraints in culinary work. American Journal of Sociology97: 1286-1294.
20.
Fishman, Mark. 1980. Manufacturing the news. Austin: University of Texas Press.
21.
Foucault, Michel. 1977. Discipline and punish. New York: Vintage Books.
22.
Gans, Herbert. 1979. Deciding what’s news: A study of CBS Evening News, NBC Nightly News, Newsweek, and Time. New York: Pantheon.
23.
Gitlin, Todd. 1981. The whole world is watching: Mass media in the making and unmaking of the left. Berkeley: University of California Press.
24.
Halle, David. 1993. Inside culture. Chicago: University of Chicago Press.
25.
Hallin, Daniel C.1992. The passing of “high modernism”of American journalism. Journalof Communication42 (3): 14-25.
26.
Haraway, Donna. 1991. Simians, cyborgs and women. New York: Routledge.
27.
Heinich, Nathalie. 2002. La Sociologie de l’art. Paris: Découverte.
28.
Hesmondhalgh, David. 2002. The cultural industries. London: Sage.
29.
Hirsch, Paul. 1972. Processing fads and fashions. American Journal of Sociology77 (4): 639-659.
30.
Hoggart, Richard. 1957. The uses of literacy. London: Chatto and Windus.
31.
Jones, Alex. 2004. Bloggers are the sizzle; not the steak. Los Angeles Times, July 20.
32.
Kadushin, Charles. 1976. Networks and circles in the production of culture. American Behavioral Scientist19: 769-784.
33.
Klinenberg, Eric. 2000. Information et Production Numerique. Actes de la Recherche en Sciences Sociales134: 66-75.
34.
Klinenberg, Eric, and Andrew Perrin. 2000. Symbolic politics in the information age. Information, Communication and Society3 (1): 17-38.
35.
Koku, Emmanuel, Nancy Nazar, and Barry Wellman. 2001. Netting scholars: Online and offline. American Behavioral Scientist44 (10): 1752-1774.
36.
Larsen, Elena, and Lee Rainie. 2002. Digital town hall: How local officials use the Internet and the civic benefits they cite from dealing with constituents online. Washington, DC: Pew Internet and American Life Project.
37.
Lessig, Lawrence. 2004. Free culture: How big media uses technology and the law to lock down culture and control creativity. New York: Penguin.
38.
McChesney, Robert. 2004. The problem of the media: U.S. communications politics in the 21st century. New York: Monthly Review Press.
39.
McCourt, Tom, and Patrick Burkart. 2003. When creators, corporations,and consumers collide: Napster and the development of on-line music distribution. Media, Culture, and Society25 (3): 333-350.
40.
McCourt, Tom, and Eric Rothenbuhler. 1997. Sound Scan and the consolidation of control in the popular music industry. Media, Culture, and Society19: 201-218.
41.
Mitchell, William. 1999. E-topia. Cambridge, MA: MIT Press.
42.
Mukerji, Chandra, and Michael Schudson, eds. 1991. Rethinking popular culture. Berkeley: University of California Press.
43.
Negroponte, Nicholas. 1995. Being digital. New York: Vintage Books.
44.
Norris, Pipa. 2001. Digital divide: Civic engagement, information poverty, and the Internet worldwide. New York: Cambridge University Press.
45.
Peterson, Richard. 1976. The production of culture. Thousand Oaks, CA: Sage.
46.
Peterson, Richard, and N. Anand. 2004. The production of culture perspective. Annual Review of Sociology30: 311-344.
47.
Peterson, Richard, and David Berger. 1975. Cycles in symbol production. American Sociological Review40 (1): 158-173.
48.
Saint Laurent, Anne-France, de.2000. Qui fait quoi? Pratiques de l’informatique et résistance des métiers dans un quotidien regional. Actes de la Recherche en Sciences Sociales134: 56-61.
49.
Sarfatti-Larson, Magali. 1993. Behind the postmodern façade: Architectural change in late twentieth-century America. Berkeley: University of California Press.
50.
Sassen, Saskia. 1991. The globalcity: New York, London, Tokyo. Princeton, NJ: Princeton University Press.
51.
Saxenian, AnnaLee. 1994. Regional advantage: Culture and competition in Silicon Valley and Route 128Cambridge, MA: Harvard University Press.
52.
Scott, Alan. 1999. The US recorded music industry: On the relation between organization, location and creativity in the cultural industry. Environmental Planning31 (11): 1965-1984.
53.
Servon, Lisa. 2002. Bridging the digital divide: Technology, community, and public policy. Oxford, UK: Blackwell
54.
Sunstein, Cass. 2001. Republic.com.Princeton, NJ: Princeton University Press.
55.
Starr, Paul. 2004. The creation of the media: Political origins of modern communications. New York: Basic Books.
56.
Tuchman, Gaye. 1978. Making news: A study in the construction of reality. New York: Free Press.
57.
Vaidhyanathan, Siva. 2001. Copyrights and copywrongs: The rise of intellectual property and how it threatens creativity. New York: New York University Press.
58.
Vaidhyanathan, Siva. 2004. The anarchist in the library: How the clash between freedom and control is hacking the real world and crashing the system. New York: Basic Books.
59.
Williams, Raymond. 1958. Culture and society, 1780-1950. New York: Columbia University Press.
60.
Zolberg, Vera. 1990. Constructing a sociology of the arts. Cambridge: Cambridge University Press.
61.
Zook, Matthew. 2005. The geography of the Internet industry. Oxford, UK: Blackwell.