Abstract

Get full access to this article
View all access options for this article.
References
1.
Douglas
Mary
, Purity and Danger (Penguin Books , 1970 ).
2.
Duncan
Hugh D.
, Symbols in Society (Oxford University Press , 1968 ).
3.
Eliot
T.S.
, Notes Towards the Definition of Culture (Faber & Faber , 1948 ).
4.
Gipps
Ruth
, ‘A personal credo’ , Composer , no. 54 (1975 ).
5.
Gipps
Ruth
, ‘The use of trendy “amplified pop” in school music classes’ , Journal of the Incorporated Society of Musicians (1976 ).
6.
Langer
Susanne
, Philosophy in a New Key (Harvard University Press , 1960 ).
7.
Leavis
F.R.
, Education and the University (Chatto & Windus , 1948 ).
8.
Lévi-Strauss
C.
, Structural Anthropology (Penguin Books , 1968 ).
9.
Lovell
Terry
, ‘Sociology of aesthetic structures and contextualism’ , Sociology of Mass Communication (Penguin Books , 1972 ).
10.
Mâche
François-Bernard
, ‘Musical composition today’ , Cultures , I (1973 ).
11.
Merriam
Alan P.
, The Anthropology of Music (Evanston , 1964 ).
12.
Meyer
Leonard B.
, Emotion and Meaning in Music (University of Chicago Press , 1956 ).
13.
Meyer
Leonard B.
, Music, the Arts and Ideas (University of Chicago Press , 1967 ).
14.
Meyer
Leonard B.
, Explaining Music (University of California Press , 1973 ).
15.
Pleasants
Henry
, Serious Music and All That Jazz (Victor Gollancz , 1969 ).
16.
Shepherd
John
Virden
Phil
Vulliamy
Graham
Wishart
Trevor
, Whose Music? A Sociology of Musical Languages (Latimer New Dimensions , 1977 ).
17.
Stearns
Marshall
, The Story of Jazz (Oxford University Press , 1956 ).
18.
Williams
Raymond
, Culture and Society 1780–1950 (Penguin Books , 1961 ).
19.
Zuckerkandl
Victor
, Sound and Symbol: Music and the External World (Routledge & Kegan Paul , 1956 ).
