Toward an Emancipation of the “Weaker Sense”

Butler D. (1989). Describing the perception of tonality in music: A critique of the tonal hierarchy theory and a proposal for theory of intervallie rivalry. Music Perception, 6, 219–242.

Butler D. (1990), Response to Carol Krumhansl. Music Percept ion, 7, 325–338.

Darwin C.J. (1984). Auditory processing and speech perception. In Bouma H. Bouwhuis D.G. , (Eds.), Attention and performance X Control of language processes (pp. 197–209). Hillsdale, NJ: Erlbaum.

Deutsch D. , (Ed.) (1982). The psychology of music. New York, Academic Press.

Fowler C. A. (1986). An event approach to the study of speech perception from a direct-realist perspective. Journal of Phonetics, 14, 3–28.

Freed D.J. (1990). Auditory correlates of perceived mallet hardness for a set of recorded percussive sound events. Journal of the Acoustical Society of America, 87, 311–322.

Gibson J.J. (1966). The senses considered as perceptual systems. Boston: Houghton Mifflin.

Halpern D.L. Blake R. Hillenbrand J. (1986). Psychoacoustics of a chilling sound, Perception & Psychophysics, 39, 77–80.

Hull D.L. (1988). Science as a process: An evolutionary account of the social and conceptual development of science. Chicago: University of Chicago Press.

Jenkins J.J. (1985). Acoustic information for objects, places, and events, In Warren W.H. Shaw R.E. , (Eds.), Persistence and change. Proceedings of the First International Conference on Event Perception (pp. 115–138), Hillsdale, NJ: Erlbaum.

Johnson T.L. (1984), Expertise in cardiac auscultation: Perception of relative intensities and timing of second heart sound components. Unpublished Ph.D. dissertation. University of Minnesota.

Krumhansl C.L. (1990). Tonal hierarchies and rare intervals, in music cognition. Music Perception, 7, 309–324.

Kubovy M. (1981). Concurrent-pitch segregation and (he theory of indispensable attributes. In Kubovy M. Pomerantz J.R. , (Eds.), Perceptual organization (pp. 55–98). Hillsdale, NJ: Erlbaum.

Liberman A.M. Mattingly I.G. (1989). A specialization for speech perception. Science 243, 489–494.

Repp B.H. (1987). The sound of two bands clapping: An exploratory study. Journal of the Acoustical Society of America, 81, 1100–1109.

Repp B.H. (in press). Review of Cognitive foundations of musical pitch by Carol L. Krumhansl. American Journal of Psychology.

Scherer K.R. (1986). Vocal affect expression: A review and a model for future research. Psychological Bulletin, 99, 143–165.

Shepard R.N. (1982). Geometrical approximations to the structure of musical pitch. Psychological Review, 89, 305–333.

Sloboda J.A. (1985). The musical mind: The cognitive psychology of music. Oxford: Clarendon Press.

van Noorden L.P.A.S. (1975). Temporal coherence in the perception of tone sequences. Ph.D. dissertation, Eindhoven University of Technology.

Warren R.M. (1982). Auditory perception: A new synthesis. New York: Pergamon Press.

Warren R.M. (1984). Perceptual restoration of obliterated sounds. Psychological Bulletin, 96, 371–383.

Warren W.H. Jr. Verbrugge R.R. (1984). Auditory perception of breaking and bouncing events. Journal of Experimental Psychology: Human Perception and Performance, 10, 704–712.