Forum Theatre as a democratic space of citizenship in secondary school: an educational experience in the Basque Country ( Teatro Foro como espacio democrático de ciudadanía en Secundaria: una experiencia educativa en el País Vasco )
Restricted accessResearch articleFirst published online December, 2020
Forum Theatre as a democratic space of citizenship in secondary school: an educational experience in the Basque Country ( Teatro Foro como espacio democrático de ciudadanía en Secundaria: una experiencia educativa en el País Vasco )
This article seeks to explore the potential implications of using the Forum Theatre technique in secondary school settings. To do so, we describe the intervention programme undertaken in four secondary schools in the Basque Country (Spain) in which the Forum Theatre technique was one of the core methodological strategies. Based on this experience, we can draw conclusions related to the relevance of this technique in generating a democratic space of citizenship where youths can debate and explore alternatives when addressing issues of interest to them from their immediate reality.
Get full access to this article
View all access options for this article.
References
1.
BaldwinP. (2014). El arte dramático aplicado a la educación: Aprendizaje real en mundos imaginarios. Madrid: Morata.
2.
BoalA. (2009). Teatro del Oprimido: Teoría y práctica. Barcelona: Alba.
3.
BoalA. (2011). Juegos para actores y no actores. Barcelona: Alba.
4.
BurtonB.O’TooleJ. (2009). Power in their hands: The outcomes of the acting against bullying research project. Applied Theatre Researcher/IDEA Journal, 10, 1–15.
5.
CalsamigliaA.CubellsJ. (2016). El potencial del Teatro Foro como herramienta de investigación. Athenea Digital - Revista de Pensamiento e Investigación Social, 16, 189–209.
6.
CampbellA. (1994). Re-inventing the wheel. Breakout theatres-education. In SchutzmanM.Cohen-CruzJ. (Eds.), Playing Boal: Theatre, therapy, activism (pp. 53–63). London: Routledge.
7.
DuffyP. (2010). From I to we: Analogical induction and theatre of the oppressed with youth. In DuffyP.VettrainoE. (Eds.), Youth and theatre of the oppressed (pp. 203–216). New York, NY: Palgrave Macmillan.
8.
DuffyP.VettrainoE. (2010). Youth and theatre of the oppressed. New York, NY: Palgrave Macmillan. doi:10.1057/9780230105966
9.
ForcadasJ. (2012). Praxis del Teatro del Oprimido. Barcelona: Editorial Imprenta MRR.
10.
FreireP. (2008). Pedagogía del Oprimido. Madrid: Siglo XXI.
11.
GangulyS. (2010). Rethinking interaction on and off the stage Jana Sanskriti’s experience. In DuffyP.VettrainoE. (Eds.), Youth and theatre of the oppressed (pp. 143–157). New York, NY: Palgrave Macmillan.
12.
Gil-JuárezA.FeliuJ.Vall-LloveraM.CalsamigliaA.ConesaE. (2015). De la investigación mediante relatos de vida al teatro social: El caso de la brecha digital de género. Universitas Psychologica, 14, 1583–1598.
13.
HeapB. (2015). The aesthetic of becoming; Applied theatre and the quest for cultural certitude. In WhiteG. (Ed.), Applied theatre: Aesthetics (pp. 231–254). London/New York, NY: Bloomsbury.
14.
LindsW.GouletL. (2010). Acting outside the box: Integrating theatre of the oppressed within an antiracism schools program. In DuffyP.VettrainoE. (Eds.), Youth and Theatre of the Oppressed (pp. 159–183). New York, NY: Palgrave Macmillan.
15.
MarínC. (2010). Ripples on the water discoveries made with young people using theatre of the oppressed. In DuffyP.VettrainoE. (Eds.), Youth and theatre of the oppressed (pp. 217–228). New York, NY: Palgrave Macmillan.
16.
MutnickD. (2006). Critical interventions: The meaning of praxis. In Cohen-CruzJ.SchutzmanM. (Eds.), A Boal companion: Dialogues on theatre and cultural politics (pp. 33–45). New York, NY/London: Routledge.
17.
NeelandsJ.GoodeT. (2015). Structuring drama work. Cambridge: Cambridge University Press.
18.
PopenS. (2006). Aesthetic spaces/imaginative geographies. In Cohen-CruzJ.SchutzmanM. (Eds.), A Boal companion: Dialogues on theatre and cultural politics (pp. 125–132). New York, NY/London: Routledge.
19.
PrendergastM.SaxtonJ. (2013). Applied drama: A facilitator´s handbook for working in community. Bristol/Chicago: Intellect.
20.
SchutzmanM.DodgeB. J. (2010). Let’s Rock the bus. In DuffyP.VettrainoE. (Eds.), Youth and theatre of the oppressed (pp. 229–249). New York, NY: Palgrave Macmillan.
21.
SloaneJ. A.WallinD. (2013). Theatre of the commons: A theatrical inquiry into the democratic engagement of former refugee families in Canadian public high school communities. Educational Research, 55, 454–472.
22.
Uria-IriarteE. (2018). Design, development and evaluation of a program based on techniques of the theatre system for the promotion of positive coexistence in the secondary students of the Basque Country. (Doctoral Thesis). University of the Basque Country, Spain.
23.
Uria-IriarteE.PrendergastM. (2020). Open circle: Playing coexistence in ten movements. Qualitative Inquiry. doi:10.1177/1077800420912797
24.
VettrainoE. (2010). Silent screaming and the power of stillness Theatre of the oppressed within mainstream elementary education. In DuffyP.VettrainoE. (Eds.), Youth and theatre of the oppressed (pp. 63–79). New York, NY: Palgrave Macmillan. doi:10.1057/9780230105966