In this paper I try to dispel some of the fears encountered by novice researchers embarking on qualitative research and phenomenological inquiry in particular. I outline key principles of theory and methodology and highlight the difficulties as well as the gifts afforded to a phenomenological researcher, with some emphasis on the applicability of phenomenological research to the arts therapies.
AldridgeD. (1994). Single-case research designs for the creative art therapist. The arts in psychotherapy21, 5333–342.
2.
BetenskyM.G. (1995). What do you see: phenomenology of therapeutic art expressionLondon: Jessica Kingsley.
3.
CollaizziP.F. (1978). Psychological research as the phenomenologist views it. Existential-phenomenological alternatives for psychologyValleR.KingM.New York: Oxford University Press.
4.
GiorgiA. (1985). Phenomenology and psychological researchPittsburgh: Duquesne University Press.
5.
HenwoodK.L. (1996). Qualitative inquiry: perspectives, methods and psychology. Handbook of qualitative research methodsRichardsonJ.T.E.London: BPS Books25–40.
6.
HusserlE. (1931). IdeasBoyce GibsonW.R.London: George Allen & Unwin Trans.
7.
KuhnT.S. (1970). The structure of scientific revolutions2ndChicago, IL: University of Chicago Press.
8.
Merleau-PontyM. (1998). Phenomenology of perceptionSmithC.London: Routledge Trans. first published 1962.
9.
MoustakasC. (1994). Phenomenological research methodsThousand Oaks, CA: Sage.
10.
SpinelliV. (1989). The interpreted world: an introduction to phenomenological psychologyLondon: Sage.
11.
Van ManenM. (1990). Researching lived experienceOntario: Althouse.
12.
WoolgarS. (1996). Psychology, qualitative methods and the ideas of science. Handbook of qualitative research methodsRichardsonJ.T.E.London: BPS Books11–24.