ArtaudA. (1996). Le Theatre et Son DoubleAmarE. Tel Aviv: Babel and Bitan Publishers (first published 1995).
2.
BoalA. (1995). The Rainbow of DesireJacksonA.London: Routledge.
3.
BrechtB. (1967a). Schriften zum Theater 1, Gesammelte Werke Band 15Frankfurt Am Mein: Suhrkamp (first published 1963).
4.
BrechtB. (1967b). “Kleines Organon für das Theater 19488”. Schriften zum Theater 2, Gesammelte Werke Band 16BrechtB.Suhrkamp: Frankfurt Am Mein661–700.
5.
BrechtB. (1967c). “Stanislawski-Studien 1951–1954”. Schriften zum Theater 2, Gesammelte Werke Band 16BrechtB.Suhrkamp: Frankfurt Am Mein843–865.
6.
BrookP. (1995). The Open DoorNew York: Theatre Communications Group.
7.
FurmanL. (1988). “Theatre as Therapy: The Distancing Effect Applied to Audience”. Arts in Psychotherapy15, no. 3245–249.
8.
GraingerR. (1990). Drama and Healing—The Roots of DramatherapyLondon: Jessica Kingsley Publishers.
9.
GraingerR.DugganM. (1997). “Image and Archetype—Aristotle and Artaud”. Imagination, Identification and Catharsis in Theatre and TherapyGraingerR.DugganM.London: Jessica Kingsley Publishers80–98.
HillmanJ. (1993). “What about the Watcher”. We've Had a Hundred Years of Psychotherapy—and the World's Getting WorseHilmanJ.VenturaM.New York: HarperCollins Publishers83–89.
12.
JenningsS. (1998). Introduction to Dramatherapy-Theatre and HealingLondon: Jessica Kingsley Publishers.
13.
JenningsS. (1999). “Theatre-Based Supervision”. Supervision and DramatherapyTselikas-PortmannE.London: Jessica Kingsley Publisher62–79.
14.
JonesP. (1993). “The Active Witness”. Handbook of Inquiry in the Art TherapiesPayneH.London: Jessica Kingsley Publishers41–55.
15.
JonesP. (1996). Drama as Therapy, Theatre as LivingLondon: Routledge.
16.
LahadM. (2000). Creative Supervision—The Use of Expressive Art Methods in Supervision and Art SupervisionLondon: Jessica Kingsley Publishers.
17.
LandyR. J. (1996a). “The Use of Distancing in Dramatherapy-1983”. Essays in Dramatherapy—The Double LifeLandyR. J.London: Jessica Kingsley Publishers13–27.
18.
LandyR. J. (1996b). “Puppets, Dolls, Objects, Masks and Make-up-1984”. Essays in Dramatherapy-The Double LifeLandyR. J.London: Jessica Kingsley Publishers44–53.
19.
LandyR. J. (1996c). “One on One—The Role of the Dramatherapist Working with Individuals, 1990”. Essays in Dramatherapy—The Double LifeLandyR. J.London: Jessica Kingsley Publishers84–98.
20.
LandyR. J. (1996d). “The Research Agenda for the Creative Art Therapies, 1993”. Essays in Dramatherapy—The Double LifeLandyR. J.London: Jessica Kingsley Publishers137–139.
21.
MitchellS. (1999). “Reflections on Dramatherapy as Initiation through Ritual Theatre”. Process in the Arts TherapiesCattanachA.London: Jessica Kingsley Publishers10–35.
22.
MoustakasC. (1999). Phenomenological Research MethodsLondon: Sage.
23.
SchaverienJ. (1989). “The Picture within the Frame”. Pictures at an ExhibitionGiloryA.DalleyT.London and New York: Routledge147–155.
24.
SchaverienJ. (1992). “The Scapegoat and the Talisman: Transference in Art Therapy”. Images of Art TherapyDalleyT.CaseC.London: Routledge74–107(first published in 1987).
25.
SchaverienJ. (1995). “The Engendered Gaze”. Desire and the Female TherapistSchaverienJ.London: Routledge196–212.