From an interview by the author with Richard HayhowCoventry2002March.
2.
KuppersPetra (2003). Disability and Contemporary Performance: Bodies on EdgeLondon: Routledge5.
3.
MacDonaghPatrick (2000). ‘Diminished Men and Dangerous Women: Representations of Learning Disability’. BJLD28, 49–53For discussions of the complicated ways in which learning disability has been constructed, see articles in the British Journal of Learning Disabilities, for example, Volume, Issue 2, Junpp.
4.
KuppersOp. Cit.12.
5.
KuppersOp. Cit.49.
6.
The Book of Zechariah7.11.
7.
The Gospel of Mark8. 36.
8.
From an interview with John Mitchell and Louise IronsideEdinburgh: Traverse Theatre2005January.
KarafistanRachel (2004). ‘Revisioning the Actor with Learning Disabilities’. NTQ79, August.
13.
Interview with Mitchell and Ironside..
14.
HayhowRichard (2003). ‘What's in a Name?’. Mailout October 6.
15.
The Shysters Manifesto‘The Essence of Shysterness—The Sideways World’2003.
16.
From an interview with Richard Hayhow. Coventry2002March.
17.
The Shysters Theatre Company, Fallen AngelsScene 3.
18.
From the interview with Richard Hayhow. Coventry2002March.
19.
Seymour, Anna, Artistic Evaluation of the work of Shysters Theatre Company. Commissioned Report for Open Theatre Company200213.
20.
From the interview with Richard Hayhow, Coventry2002March.
21.
SeymourOp. Cit.2.
22.
Publicity brochure of la Compagnie de l'Oiseau-Mouche..
23.
Publicity brochure of la Compagnie de l'Oiseau-Mouche..
24.
Written text of Arbeit Macht FreiCompagnie de l'Oiseau Mouche1993.
25.
Excerpts from the diary of SS Doctor Johann Kremer, concerning his time at Auschwitz can be found in The Good Old DaysKleeErnstDressenW.RiessV.New York: The Free Press1988.
26.
These are the names of the other performers of Arbeit Macht Frei, apart from Valérie Szmigielski.
27.
Written text of Arbeit Macht Frei, Compagnie de l'Oiseau Mouche1993.
