Abstract
There have been many reports in the visual motion literature describing how patterns of contrast reversal in bar stimuli may yield rivalrous motions in opposing directions. One of these, usually termed first-order motion, is generally explained in terms of ‘short range’ matching of same polarity edges or of standard motion analysis of the distribution of energy in the Fourier transform of the stimulus. The opposite, second-order, motion is usually explained in terms either of ‘long range’ matching of whole forms/features or of luminance signal rectification followed by standard motion analysis. It is known that the mechanisms underlying the two motions show differential sensitivity to manipulations of spatial frequency and eccentricity (Mather, Cavanagh, and Anstis, 1985 Perception
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