A formalism for describing stylistic change in design is used to analyze transformations of the De Stijl style of painting in the works of two artists.
Get full access to this article
View all access options for this article.
References
1.
ElderfieldJ, 1972, “The Paris-New York axis: Geometric abstract painting in the thirties”, in Geometric Abstraction: 1926–1942 (Dallas Museum of Fine Arts, Dallas, TX) section IV.
2.
KnightT W, 1986Transformations of Languages of Designs PhD thesis, Graduate School of Architecture and Urban Planning, University of California, Los Angeles, CA.
3.
KnightT W, 1988, “Comparing designs”Environment and Planning B: Planning and Design1573–110.
4.
StinyG, 1981, “A note of the description of designs”Environment and Planning B: Planning and Design8257–267.
