BarneyNatalie Clifford (1920) Poems & Poèmes: autres alliancesParis: Emile-Paul Frères; New York: George H. Doran.
2.
BarneyNatalie Clifford (1929) ‘Romaine Brooks: Le cas d'un grand peintre du visage humain,’Adventures de l'esprit pp. 245–9, Paris: Emile-Paul Frères.
3.
BarneyNatalie Clifford (1963) ‘On writing and writers’ trans. Ezra Pound, Selected WritingsMironGrindea, editor, London: Adam Books.
4.
BattersbyChristine (1990) Gender and Genius: Towards a Feminist AestheticsBloomington: Indiana University Press.
5.
BenstockShari (1986) Women of the Left Bank: Paris, 1900–1940Austin: University of Texas Press.
6.
BreeskinAdelyn D. (1986) Romaine BrooksWashington: National Museum of American Art, Smithsonian Institute.
7.
BroeMary Lynn, and IngramAngela (1989) editors, Women's Writing in ExileChapel Hill: University of North Carolina Press.
8.
BrooksRomaine (undated) No Pleasant Memories unpublished typescript. Short quotations by permission of the National Collection of Fine Arts Research Materials on Romaine Brooks, Archives of American Art, Smithsonian Institution.
9.
BruntRosalind, and RowanCaroline (1982) editors, Feminism, Culture and PoliticsLondon: Lawrence & Wishart.
10.
BullenJ.B. (1981) editor, Vision and DesignLondon: Oxford University Press.
11.
BÜRGERPeter (1984) Theory of the Avant-Gardetrans. Michael Shaw, Minneapolis: University of Minnesota Press.
12.
ChalonJean (1979) Portrait of a Seductress: The World of Natalie Barneytrans. Carol Barko, New York: Crown Publishers.
13.
ChamberlainLori (1988) ‘Gender and the metaphorics of translation’Signs Vol. 13, pp. 454–72.
14.
COLUMBIA UNIVERSITY, DEPARTMENT OF ART HISTORY AND ARCHAEOLOGY (1976) Modern Portraits: The Self and Othersintro. Kirk Varnadoe, New York: Wildenstein.
15.
ConnollyCyril (n.d.) ‘Adam and the Amazon’, unidentified press clipping in a box of clippings of Romaine Brooks in the Beinecke Library, Yale University.
16.
DollimoreJonathan (1986) ‘The dominant and the deviant: a violent dialectic’Critical Quarterly Vol. 28, pp. 179–92.
17.
DuroPaul (1986) ‘Demoiselles à copier during the Second Empire’Woman's Art Journal Spring/Summer, pp. 1–7.
18.
DuroPaul (1988) ‘Copyists in the Louvre in the middle decades of the nineteenth century’Gazette des Beaux-Arts Vol. 111, pp. 249–54.
19.
EagletonTerry (1977) ‘Translation and transformation’Stand Vol. 19, pp. 72–7.
20.
FadermanLillian (1981) Surpassing the Love of MenNew York: William Morrow.
21.
FryRoger (1981, rpt. 1920) ‘Art and life’ in BULLEN (1981).
22.
GodardBarbara (1989) ‘Theorizing feminist discourse/translation’Tessera Spring, pp. 42–53.
23.
GreenbergClement (1961) ‘Avant-garde and kitsch’Art and Culture: Critical EssaysBoston: Beacon Press.
24.
GrindeaMiron (1962) editor, ‘The Amazon of letters: a world tribute to Natalie Clifford Barney’Adam: International Review Vol. 29, pp. 3–162.
25.
GubarSusan (1981) ‘Blessings in disguise: cross-dressing as re-dressing for female modernists’Massachusetts Review Vol. 22, pp. 477–508.
26.
JardineAlice (1985) Gynesis: Configurations of Women and ModernityIthaca: Cornell University Press.
27.
JayKarla (1988) The Amazon and the Page: Natalie Clifford Barney and Renee VivienBloomington: Indiana University Press.
28.
KoestenbaumWayne (1989) Double Talk: The Erotics of Male Literary CollaborationNew York: Routledge.
29.
KraussRosalind E. (1981) ‘The originality of the avant-garde’The Originality of the Avant-Garde and Other Modernist MythsCambridge, Mass.: The MIT Press, pp. 151–70.
30.
LangerSandra (1981) ‘Fashion, character and sexual politics in some Romaine Brooks lesbian portraits’Art Criticism Vol. 1, pp. 25–40.
31.
MauclairCamille (1899) ‘La Femme devant les peintres modernes’La Nouvelle Revue 2d ser., I, pp. 190–213.
32.
MoersEllen (1977) Literary Women: The Great WritersNew York: Anchor Books.
33.
NewtonEsther (1984) ‘The mythic mannish lesbian: Radclyffe Hall and the New Woman’Signs Vol. 9, pp. 557–75.
34.
NochlinLinda (1973) ‘The realist criminal and the abstract law’Art in America September/November, pp. 25–48.
35.
OwensCraig (1985, rpt. 1983) ‘The discourse of others: feminists and postmodernism’Postmodern CultureLondon: Pluto Press, pp. 57–77.
36.
PoundEzra (1976) ‘Letters to Natalie Barney’ edited with commentary by Richard Sieburth, Paideuma Vol. 5, pp. 279–95.
37.
RolleyKatrina (1990) ‘Cutting a dash: the dress of Radclyffe Hall and Una Troubridge’Feminist Review No. 35, pp. 54–66.
38.
RuehlSonja (1982) ‘Inverts and experts: Radclyffe Hall and the lesbian identity in BRUNT and ROWAN (1982), pp. 15–35.
39.
SaisselinRemy G. (1963) Style, Truth and the PortraitCleveland: Cleveland Museum of Art.
40.
SchenckCeleste, and BrodzkiBella (1988) editors, Life/Lines: Theorizing Women's AutobiographyIthaca: Cornell University Press.
41.
SchenckCeleste (1989) ‘Exiled by genre: modernism, canonicity, and the politics of exclusion’ in BROE and INGRAM (1989) pp. 225–50.
42.
SecrestMeryle (1974) Between Me and Life: A Biography of Romaine BrooksGarden City, NY: Doubleday & Company.
43.
SedgewickEve Kosofsky (1985) Between Men: English Literature and Male Homosocial DesireNew York: Columbia University Press.
44.
SilvermanDebora (1989) Art Nouveau in Fin-de-Siècle FranceBerkeley: University of California Press.
45.
SouhamiDiana (1988) Gluck: Her BiographyLondon: Pandora.
46.
SpivakGayatri Chakravorty (1976) ‘Translator's preface’ in Jacques Derrida, Of GrammatologyBaltimore: Johns Hopkins University Press.
47.
SteinerGeorge (1975) After Babel: Aspects of Language and TranslationLondon: Oxford University Press.
48.
SuleimanSusan Rubin (1988) ‘A double margin: reflections on women writers and the avant-garde in France’Yale French Studies Vol. 75, pp. 148–71.
49.
SutherlandAnn, and NochlinLinda (1976) Women Artists: 1550–1950Los Angeles: Los Angeles County Museum.
50.
TerdimanRichard (1985) Discourse/Counter Discourse: The Theory and Practice of Symbolic Resistance in Nineteenth Century FranceIthaca: Cornell University Press.
51.
WeeksJeffrey (1981) Sex, Politics and SocietyLondon: Longman.