Abstract
The aim of this paper is to test a structural model of creativity in print advertising called the
The main hypothesis is that the more remote the ad, the more likely it is perceived to be creative, provided the target audience can make the attribute or benefit link between the conveyor (ie. the unusual picture in the ad) and the product-representation (ie. the advertised product or service).
In an experiment using 6 print ads for two product categories, three levels of remoteness and two levels of resolution were manipulated. The predicted effect was consistently found across two product categories, thus supporting the new theory.
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